How should a director analyze the script? How many relationships does the director have with the scr

The director is based on the author's script, and his creation begins with the script, and his creative process is the opposite of the author, who takes real life as the starting point and ends with the complete creation of the script. The director's work begins with the author's end point and ends with the creation of a complete stage performance that reproduces the image of real life. The two have different working procedures:

The playwright's work procedure: real life theme idea characters contradictions and conflicts plot structure script.

Director's working procedure:

Author's Script, Plot Structure, Contradictions, Characters, Theme Ideas, Real Life, Stage Image.

The theme reflected in the script (the things described in the script, the phenomenon or those phenomena reflected in the script, he is the problem or phenomenon that the author wants to solve according to a certain range of reality) is not single, because life itself is very complex and rich, and if the author wants to reflect life, he must write a lot of realistic phenomena in the script. However, no matter how complex the plot is, there is always one of them that is the main theme (and the basic theme). It is precisely with this that some other themes are unified into a whole (including all the events and characters), and determine the unity of the action of the whole play.

Each theme must be expressed through certain conflicts and contradictions, and the main theme must also be expressed in the basic conflicts and contradictions of the script, that is, in some major events. In other words, the main theme of the play is made up of its main conflict. So, in order to find the main theme, you must first find the main conflict.

To find a theme, first look at the conflict.

The director's primary task in analyzing the script is to grasp the theme of the script, because the theme idea is the main core of the script's content. The director's "second creation" is to evaluate the facts, events and characters' behaviors and struggles of the plot in the play according to the theme idea; It is also based on the theme idea to determine the image conception and artistic treatment of the performance. If you don't grasp the main idea of the script, you won't be able to grasp the central conflict of the unification of the script, and you will lose the strict logic of the development of the plot and events of the script, and the mastery of the through-line clues of the structure.

The theme of the script, the characters and the plot are closely related to each other, the theme idea governs the characters and the plot, and the character determines the development of the plot, and the plot structure shows the ideological intention. In the whole process of the formation of the drama, these three are mutually reinforcing, influencing and penetrating each other, and it is difficult to separate them mechanically.

Generally speaking, the author's procedure for creating a script is first and foremost based on life, because literary and artistic works, as conceptual forms, are the products of a certain social life reflected in the human mind. The theme idea is the author's understanding and experience of life, which is gradually nurtured by the hints and inspiration of life, and the whole creative process is also a process in which the author constantly clarifies and deepens the theme. "What distinguishes a dramatic work from other forms of literature is that the main idea of a dramatic work is, and almost absolutely through, the struggle between the characters, that is to say, the ...... expressed through conflict.

The basis of a realist work of art must be conflict; Conflicts that reflect contradictions, are unique to specific historical circumstances, and are typical of the environment in which the protagonist operates. —Diderot.

Therefore, the plot of the script is formed by the structure of the environment in which the characters are extremely located. The development of various characters and their mutual relationships are conflicted and contradictory, thus constituting the plot. "The development of the conflict forms the basis of the plot of the drama.

The clearer the dramatic conflict, the sharper and sharper the plot development, and the more expressive and appealing the ideological intent of the work will be. ......In the development of a dramatic conflict, it is mainly determined by the character of the person involved in the conflict. —Diderot.

From this, we can conclude that the writer writes the script from the experience and understanding of real life, summarizes and refines, creates a variety of characters according to real life, portrays their character and psychology, constitutes a conflict (the conflict between the personality conflict and the environment), and shows the content of the theme and thought.

Scripts are divided into literary scripts and director's scripts.

Literary scripts are written by screenwriters, mainly including character descriptions and storylines. **Can be made into a literary script after being modified by the screenwriter, and has a dialogue format. Ordinary actors get such literary scripts.

The director's script is a storyboard script created by the director according to the literary script, which refers to which scenes to be shot at each step, and what the specific content and scenery are reflected in the director's script.

The importance of directing for a play:

A director is the organizer and leader of the production of film and television works, and a person who uses actors to express his thoughts. is the general person in charge of putting film and television literary scripts on the screen. As a synthesizer of various artistic elements in film and television creation, the director's tasks are:

Organize and unite all the creative and technical personnel and performers in the crew, give full play to their talents, and integrate the creative labor of everyone.

The director is like the supreme commander of the army, and the quality of a film and television work is largely determined by the director's quality and cultivation; The style of a film and television work often reflects the director's artistic style and character, and it can better reflect the director's values in looking at things.

1.The script was written by the director: 2The script was written by the director looking for someone; 3.After the script comes out, the director is responsible for filming it .........

There is no direct relationship. The final work of a screenwriter is the script, and the script, the script of a play, is naturally the most important. The script is the foundation, the core, and the skeleton.

The director is an artistic process based on the script, secondary creation, and rejuvenation.

According to the scope of application, the classification can be divided into: drama scripts, movie scripts, TV drama scripts, animation scripts, micro film scripts, micro animation scripts, ** scripts, cross talk scripts, sketch scripts, etc.

According to the theme of the script, it can be divided into comedy, tragedy, historical drama, family ethics drama, thriller drama and so on.

There is also a kind of script that mainly pursues literature and does not aim at performance, or is not suitable for performance, and the action is not enough. It is called a desk drama and a study drama.

From the perspective of the creative process of a film director, the first thing to contact is the script. And the film script is the latest literary style in the category of literature, and it is younger than the film itself.

In the early days of cinema, the director did not have a script at all, but only improvised each scene in front of the set, and the plot or story was just a synopsis in the director's head or a brief outline written on the director's cuffs. Later, it slowly developed into a kind of script similar to the director's plan for scenes or shots, which only indicated what should be on the screen and how the order should be arranged, and only played some technical auxiliary role.

How a screenwriter writes a screenplay: The script should have a proper writing format. Format is not only a simple rule, but also a container for ideas.

The standard format of the script may be annoying, but once you read it carefully, it is not as difficult as you think.

Before you start the script, make an outline. At least know how the story begins, how it ends, and the five main plot points of the script before starting your writing. Some students write a script, and stop at **, the whole script does not have a complete outline, and the readers who read it are in a fog, and they don't know what they write next, so it is recommended that students make an outline before starting the script creation, and start the story statement according to the outline.

There are several scenes in each paragraph, and there are several scenes in several scenes, what is the relationship between scenes and between shots? The combination of dynamic and static, virtual and real ......In short, you can use all the means to achieve the effect. Of course, this is a refinement when writing.

Story introduction: The so-called story introduction is that the script you write must be expressed in a very concise language form, and the general story introduction will be more of an introduction that attracts people to see, so if the story reveals various contradictions, entanglements, doubts and other intricate emotional threads, then it belongs to a very good story introduction. Of course, the synopsis of the story cannot be a single line, and there is also a multi-line story, which may also need to be adjusted according to the actual situation.

A screenwriter is the author of a screenplay. The screenwriter expresses the overall design of the program or film and television in the form of words, and the work is called the script, which is the blueprint for the performance in the film and television drama and drama, and the professional screenwriter with outstanding achievements is called the playwright, and the most famous and representative is Shakespeare. Screenwriters have high requirements for artistic literacy, generally have strong literary expression skills, and are familiar with the relevant processes and expression techniques of film and television, drama, advertising, and feature films.

What do you mean? After reading your script, he will put forward his own ideas, and if you agree, you will agree, and if you disagree, you will put it forward. It's not complicated.

A French civilian.

Refer to World Cinema magazine.

Think of the camera as your eyes, don't write what you can't see! (**The psychological description must not be written into the script, remember!) ）