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Should this question arise here?
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Dürer's paintings were solid, meticulous, and serious, and he elevated the woodcut drawings inherited from the Middle Ages for the printing of the Bible to a highly artistic printmaking art. For this, Dürer received high honors in the history of art. Dürer produced numerous engravings during his lifetime, the most famous being his 14 engravings The Book of Revelation.
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Dürer's drawings have long been regarded as a model of realist painting, and have been used as a model for countless art students. It is not only rigorous and precise in shape, but also has a very strict performance on anatomy, structure, volume, texture and other modeling factors, and is not rigid at all, the painting is very "loose", and has a strong expressiveness. Look at the sense of space between the nose and the upper lip, no matter how you look at it, you can feel that there is a distance.
Look at the beard again, the painting is very fluffy, the texture, and the three-dimensional sense are all out, and the painting is so free and bold. The surrounding clothes, hats and right hands are handled more weakly. The middle face with a mustache is highlighted.
More importantly, the work vividly expresses the contemplative mental state of the old man. From this weathered face, we can see not only the technique and technique, but also the master's closed thinking about life, which embodies a humanist spirit.
From the following sketches, we can see how wonderful Dürer's basic skills were. In addition to the surprising technique, technique, and more importantly, the drawing is very vivid and expressive. That's the power of art!
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Dürer: German Renaissance painter. Born in Nuremberg, Germany.
His father was good at jewelry, and he learned art and painting from his father since he was a child, showing a high talent. years in a studio for three years. I went to Venice to learn and absorb the techniques of the Venetian School and form my own style.
The illustration of "Apocalypse" began to be famous in the art world. In the same year, he went to Italy again to study art techniques and theories extensively, and actively engaged in humanistic academic activities. Dürer had a scientific mind, studied mathematics and perspective, and wrote many notes and treatises.
His paintings often combine scientific techniques with humanist and philosophical ideas. This is reflected in his printmaking "Famous Hand Prints". Dürer died in his homeland.
Dürer was the father of self-portraits, painted many self-portraits in his lifetime, and became one of the most accomplished painters of the German Renaissance era, with a high level of artistic achievement. In terms of artistic style, he retained and developed the Baroque style, which had an important influence on later generations.
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German National School.
Albrecht Dürer (1471-1528) was an epoch-making artist in the history of German art, who spread the forms and theories of the Italian Renaissance to northern Europe, created and laid the tradition and foundation of the German National School of Painting, and greatly influenced the development of German art thereafter.
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Northern Renaissance.
Representative painters: Dürer, Hans Holbein the Younger, Lucas Cranach the Elder.
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In terms of artistic style, although he was a seeker and disseminator of Italian Renaissance art, the German tradition in which he was present allowed his art to retain a bit of medieval Gothic heritage, while surprisingly taking the lead in showing some Baroque characteristics. He inherited the tradition of German national art, and had extensive contact with the progressive culture of southern and northern Europe, and his works are full of humanist spirit, even in religion, he is full of love for life, and creates real characters.
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