In the Book of Songs, what is the style of the fifteen countries ?

The "Styles of the Fifteen Countries" are:Zhou Nan11 articles, 14 articles of Zhaonan, 19 articles of Shao Feng, 7 articles of Wei Feng, 10 articles of Tang Feng, 10 articles of Qin Feng, 10 articles of Chen Feng, 7 articles of Feng Feng, 10 articles of Hu Feng, 10 articles of Wei Feng, 10 articles of Wang Feng, 21 articles of Zheng Feng, 11 articles of Qi Feng, 4 articles of Huifeng, 4 articles of Cao Feng.

Preface to the poem. "Weathered up, broken downwind." It's a sarcasm, but the phrase is actually literal. I think the word "wind" here means "sarcastic recitation". In Confucius.

Before, the Book of Songs

Not every chapter can be sung. "The House of Confucius" "Three hundred and five chapters, Confucius sang for harmony, Wu, Ya, Song Zhiyin. "Second, I read the Book of Changes

Later, I found an understanding of myself, that is, the "Beacon Family" family hexagram, the emperor Zhen, Qi, and Si are leaving. The Beacon family is actually Lei Fengheng.

Among the fifteen countries, "Zhou Nan" and "Zhao Nan" are called "four poems" together with the "Confucius Family" of Taishi Gong, namely "Nan", "Feng", "Ya" and "Song", "Poetry Drum Bell" and "Yijia Zhinan". Nan and Ya are opposites, so Nan must also be an integral part of the poem. Later, it was determined that "Nan" was the Duke of Zhou.

The southern ** of the area ruled by the Zhao Gong is untenable. Personally, I think that "South" is a kind of poetry that goes hand in hand with "Wind", "Ya" and "Song", "Gongyang" Zhao twenty-five years, what note, the ** in the south is called Ren.

The Book of Songs spreads the noble spirit through aesthetic education and cultivates the Chinese nation.

The artistic style, personality and national character instilled the surging Chinese spirit.

In such a country marked by ritual music, beauty and art are important for their contribution to Chinese civilization.

and even the deep participation in national construction. This way of building a country with distinctive aesthetic characteristics is unique in the history of world civilization, and has also become an irreplaceable fine tradition presented by the Chinese nation for contemporary world civilization. Fashion, but in an etymological sense, it originates from the classification of style, elegance and eulogies in the Book of Songs.

The style of the fifteen kingdoms is not the poetry of the fifteen vassal states, and the correct interpretation is the fifteen phenomena of statecraft. For example, now people also use wind to represent certain social phenomena, such as party style, people's style, study style, rectification style, rectification style is to rectify bad habits, such as rectification of party style, rectification of study style and so on. The meaning of the wind in the Book of Poetry is the same as that of the modern wind, and it still refers to the social atmosphere and the current situation, for example, Zhou Nan means not the south of the Zhou Dynasty but it is very difficult to take care of the overall situation, which means the scoundrel of the Son of Heaven, and it can be seen from the word Zhou Nan that the unified country is going to perish, and the war is about to begin.

Calling Nan means that it is difficult to summon, which means that no one in the world listens to the orders of the Son of Heaven. You might say. In fact, in addition to Nan can be used as a noun for directions, it also includes the meaning of difficult, but it can not be used as a noun for direction, so Zhou Nan is Zhou Nan, Zhao Nan is difficult to summon Tang Feng is absurd, Wei Feng refers to the people's lack of ability to distinguish between right and wrong, Ya refers to the improvement of the author's life, and Song refers to the author as the Son of Heaven again.

In fact, the Book of Songs is a perfect scene for re-ascending to the Tianzi Hall. It is a benchmark for people to be angry and strong, so let's take a look at whether Zhou Nan is the embodiment of the writer as the Son of Heaven taking care of the overall situation, and whether Zhao Nan means that the people of the world do not obey the call of the Son of Heaven. We must explain the Book of Songs, but the premise is that it is not allowed to say fake words, and it is not allowed to explain Mao Chuan.

We must insist on the meaning of the Chinese characters themselves, from the Chinese characters to find ** not from the ancient book interpretation to find **, because the author of the ancient book interpretation is just a little older than us, in fact, their knowledge ** is also through their imagination, their wrong imagination can never be used as the basis for us to read ancient texts, otherwise there will be a lot of contradictions, take care of one and the other, so the same word here you will say that it means this, where you will say that meaning. Tell you, a Chinese character should be the same in different articles, it is impossible to be correct here, and it becomes a fake character there. If you think it's a fake word, you don't understand the full meaning.

For example, the meaning of the bean in the Book of Poetry is actually a delicacy, and the meaning of grass and insects is actually the same voice and the same pace.

The Book of Songs is the earliest collection of poetry in ancient China, containing a total of 305 ancient poems, divided into three parts: wind, elegance and song. Among them, "wind" is the largest and richest part of the Book of Songs, which mainly describes the customs, social life and people's feelings and sorrows in the surrounding areas.

"Fifteen National Styles" refers to the 15 poems in the national style included in the section of "The Book of Songs: Wind". These poems mainly describe the characteristics and customs of different countries or tribes in the surrounding areas of China, and reflect the political, economic, and cultural conditions of the time.

These 15 national styles are: "Zheng Feng Hengmen", "Chen Feng Dongmen Zhichi", "Cao Feng Taoyao", "Song Feng Che Xing", "Wei Feng Qi Ao", "Hu Feng Qiu Zhong Ma", "Lu Feng Xintai", "Shao Feng Jing Nu", "Pi Feng Shuoren", "Yu Feng - National Martyrdom", "Northwest Yifeng - Wild Dead Moose", "Northeast Yifeng - Qin People Live in Wuxiao", and three poems without the name of the country: "Hengfeng Shang Song", "South Wind - Gentleman and Old Man", "Huafeng - East Fence".

With its unique artistic style, vivid descriptions and emotional language expressions, each national style shows us the scenery, characters and customs of different places, and is an important material for the study of ancient social history and culture.

The fifteen national styles in the Book of Songs are mostly folk songs. Including "Zhou Nan", "Zhao Nan", "Chen Feng", "Qin Feng", "Feng Feng", "Wei Feng", "Tang Feng", "Zheng Feng", "Wei Feng", "Shao Feng", "Hu Feng", "Wang Feng", "Hui Feng", "Cao Feng", "Qi Feng".

Fifteen national winds, which can be divided into five major regions:

1. Southern District - "Zhou Nan", "Zhao Nan", "Chen Feng" "Er Nan", its land is in Nanyang, Nan County, and the land of Er Nan was later annexed by the Chu State, so some people call it the source of "Chu Ci". The state of Chen was in the area of present-day Huaiyang, Zhecheng, Henan, and Boxian, Anhui. In the poems of the southern district, most of them express the life and emotions of women's labor, love, and husbandry, and there are also some ritual poems such as congratulating the newlyweds and wishing many children.

2, West District - "Qin Feng", "Feng Feng". The Qin State originally lived in Tianshui, Gansu, and then gradually expanded eastward, occupying the Shaanxi area, after the Ping King moved eastward, the Western Zhou Wangji and the land were owned by Qin. The poems of "Qin Feng" are full of martial spirits and killing sounds, and the style is fresh and simple, concise and substantial, resolute and strong.

3, North District - "Wei Feng", "Tang Feng". Wei in the area of Ruicheng, Shanxi; Tang was in the central part of present-day Shanxi, and was later renamed Jin. Wei land is narrow, the folk customs are frugal, the land is barren, the people are embarrassed, and the regional characteristics and customs of frugality and habits make the spirit of satirizing reality particularly prominent, and there are many satirical and revealing poems, and since ancient times, scholars have called "Wei" and "Tang" more "changing winds".

Simple and straightforward, natural and smooth, and more depressed and sad.

4. Central District - "Zheng Feng", "Wei Feng", "Shao Feng", "Hu Feng", "Wang Feng", "Junifeng", "Cao Feng". Shao and Hu are both Weiyi names, the same place, the land of Weifeng in the present-day Hebei Ci County, Puyang, Henan Anyang, Qi County, Ji County, Kaifeng, Zhongmu and other places. Xinzheng, the capital of Zheng State, is in the area of present-day Zhengzhou, Henan.

Wang is the abbreviation of the royal capital, and King Ping moved east to Luoyi, in the area of Luoyang, Henan Province. The poems are full of chaos and sadness. Cao is in the area of Heze, Dingtao and Cao County in the southwest of present-day Shandong, and is located between Qi and Jin.

Juniper is in the area of Mi County, Henan Province, both of which are small countries, and there are very few poems.

5, Eastern District - "Qi Feng". Qi is in the north-central part of present-day Shandong, with the capital Linzi. Qi Fujia East China Sea, Shinong businessmen gathered, and the style of writing was open. His poems are good at exaggeration, soothing and far-reaching, and the rhythm is sparse.

The fifteen national winds, that is, the music songs of the fifteen different regions of the Western Zhou Dynasty, are local folk songs with local colors collected from 15 regions. "National Style" is an integral part of the "Book of Songs". Including "Zhou Nan", "Zhao Nan", "Shao Feng", "Hu Feng", "Wei Feng", "Wang Feng", Zheng Feng", "Qi Feng", "Wei Feng", "Tang Feng", "Qin Feng", "Chen Feng", "Junifeng", "Cao Feng", "Feng Feng" and so on.

The "Fifteen Kingdoms Style" refers to Zhounan, Zhaonan, Hu Feng, Zheng Feng, Wang Feng, Wei Feng, Shao Feng, Qin Feng, Tang Feng, Feng Feng, Cao Feng, Wei Feng, Hui Feng, and Chen Feng.

The fifteen national styles refer to "Zhou Nan", "Zhao Nan", "Chen Feng", "Qin Feng", "Feng Feng", "Wei Feng", "Tang Feng", "Zheng Feng", "Wei Feng", "Shao Feng", "Hu Feng", "Wang Feng", "Junifeng", "Cao Feng", and "Qi Feng".

What does Cangjie make characters related to.

The Book of Songs is divided into the Wind and the Wind

Ya" and "Song" are three parts. Among them, "Wind" includes "Zhou Nan", "Zhao Nan", "Shao Feng", "Hu Feng", "Wei Feng", "Wang Feng", "Zheng Feng", "Qi Feng", "Wei Feng", "Tang Feng", "Qin Feng", "Chen Feng", "Junifeng", "Cao Feng", "Feng Feng", a total of 15 "National Style", 160 poems.

The fifteen national styles refer to "Zhou Nan", "Zhao Nan", "Shao Feng", "Hu Feng", "Wei Feng", "Wang Feng", "Zheng Feng", "Qi Feng", "Wei Feng" Xiaozheng, "Tang Feng", "Qin Feng", "Chen Feng", "Junifeng", "Cao Feng", and "Feng Feng".

The fifteen national styles, that is, the music songs of the fifteen different regions of the Western Zhou Dynasty, are folk songs with local colors collected from 15 regions. "National Style" is an integral part of the "Book of Songs". The Book of Songs is the first collection of poetry in the history of Chinese literature, which has a profound impact on the development of poetry in later generations and has become the source of the realist tradition of classical Chinese literature.

Most of the works of "National Style" are the collective creations of working people, and they are the essence of "The Book of Songs". The national style is the essence of the Book of Songs, and it is a bright pearl in the treasure house of Chinese national literature and art.

The folk songs of the Zhou Dynasty in the national style reflect the real life of the working people and the Hu people with gorgeous and colorful pictures, and express their injustice in the situation of exploitation and oppression and their belief in striving for a better life, which is the source of Chinese realist poetry.

Artistic features

The artistic characteristics of "National Style" lie in the fact that many poems are based on social reality, directly expressing the true feelings of life without whitewashing. In terms of expression methods, the techniques of endowment, comparison and rejuvenation are used.

For example, "Feng Feng July", "Zheng Feng Qin Wei", "Wei Feng Shuo Mouse", "Shao Feng Xintai", "Zhou Nan Guan Ju", "Qin Feng Pu Jia" and so on, all use the techniques of endowment, comparison and exuberance, singing about the scenery, lyrical thoughts, and supporting things and irony.

Poets portray the characters vividly through the depiction of the inner activities of the characters, or through the contrast of the scenery. For example, "Shao Feng Jing Nu", "Zhou Nan Taoyao", "Zheng Feng Nu Said Chicken Song", "Wei Feng Shuoren" and other articles, all portray the characters with distinct images, outstanding personalities, and touching artistic charm.

The fifteen national styles of the Book of Songs include "Zhou Nan", "Zhao Nan", "Shao Feng", "Hu Feng", "Wei Feng", "Wang Feng", "Zheng Feng", "Qi Feng", "Wei Feng", "Tang Feng", "Qin Feng", "Chen Feng", "Junifeng", "Cao Feng", and "Feng Feng".

Fifteen national wind is a part of the "Book of Songs", it is a folk song collected from different regions, the "Book of Songs" is divided into three parts: wind, elegance and song, among which the wind is the national style, and is divided into fifteen national winds, which is collected from fifteen different regions with Li Sui rolling with local color folk songs, most of them are the authors who moved east from the Zhou family to the middle of the Spring and Autumn Period.

Historical development: The rest of the time when "National Style" was produced, considering the ability of a certain king and a certain prince mentioned in the "Small Preface" of the "Book of Songs", most of them are not credible, but there are also some materials that are more reliable, and can be determined that the poems of "Wind" are generally works from the early Western Zhou Dynasty to the middle of the Spring and Autumn Period.

At the beginning of the Western Zhou Dynasty, his works include "Wind and Broken Axe". "Small Preface" said: Mei Zhou Gongye, Doctor Zhou is a bird of the evil four countries.

The three chapters of the poem are written about the expedition of the Duke of Zhou to the east, in the early years of King Cheng of Zhou (around 1140 BC). This poem is the earliest work in "National Style". <>

The Book of Songs is divided into three parts: Wind, Ya, and Song. Among them, "Wind" includes "Zhou Nan", "Zhao Nan", "Shao Feng", "Hu Feng", "Wei Feng", "Wang Feng", "Zheng Feng", "Qi Feng", "Wei Feng", "Tang Feng", "Qin Feng", "Chen Feng", "Junifeng", "Cao Feng", "Feng Feng", a total of 15 "National Style", 160 poems.