What is the work of the five laws of Tang poetry? Why?

In fact, the most important thing in the five laws of Tang poetry is to have a rhythm, this poem can fully reflect the cultural elements of the Tang Dynasty, and homesickness, there is peace.

When did the work of the Seven Laws become Wang Wei's "Cumulus Rim Sichuan Zhuang Works"? We call a poem "Seven Rules", and after a thousand years of metrical poetry, we cannot deliberately confuse the rules. It doesn't matter whether you write close poems or not, but there are criteria for distinguishing between original works.

The abbreviation of "Seven Laws" refers to the seven-word rhythm poems in the metrical poems, which must strictly abide by the relationship between the two and the two, the rhyme, the two (at least the neck couplet) against each other, the seven characters and one sentence, a total of eight sentences.

The work of pressing the volume is to send Wang Bo, because this is a farewell poem that many people have a more impression, and the word farewell is not written but can reflect the feelings of farewell.

It should be Sauvignon Blanc, because it pays great attention to artistic conception, and can not use words to hurt meaning, and pay attention to the five laws of equality.

Which of the following verses is changed from the poem that was once called the "work of pressing the volume" of the quatrain of the Tang Dynasty. （）

aWant to be poor and go to the next level;

bQiangdi, why should I complain about the willows, the spring breeze does not pass the jade gate; (Correct answer) c The sea has a confidant kernel, and the end of the world is like a neighbor;

d Parking sits in love with the maple forest in the evening, and the frost leaves are red in February.

Regarding the pressing work of the five-character rhythm poem in Tang poetry, we should start from its early formation, which was formed before the early Tang Dynasty and was basically qualitative in the Sui Dynasty. The characteristic of five-character poetry is that it is a near-body rhythm type, and famous poets in the Tang Dynasty such as Li Bai, Du Fu, Wang Wei, etc. are all the masters of five-character rhythmic poetry.

1. Five-character metrical poemsTang poetry, as a bright pearl in the culture of the Tang Dynasty, was an extremely popular literary genre at that time. Among them, the formation of the five laws began in the Tang Dynasty, and then carried forward to the Sui Dynasty, and also had a stereotype in the Sui Dynasty. From the perspective of metrics, it can be divided into near-style poems and ancient style poems.

The first sentence of the Five Laws is independent of the Tang poetry genre due to the characteristics of not being a positive example and being a variable example of rhyme. Generally speaking, five-character poems are five words for a sentence, and the poems pay attention to the tempering of language, and the typical characteristics of the beginning of the sentence are the characteristics of not entering the rhyme, the rhyme, the rhyme, and the rhyme.

2. There are typical ten works of Tang poetry in the five laws of the pressed volume, which are Zhang Jiuling's "Looking at the Moon and Huaiyuan", Wang Wan's "Under the Solid Mountain in the Second Bei", Du Fu's "Traveling Night Book", Wang Wei's "Mountain Dwelling Autumn Twilight", Chang Jian's "Title Poshan Temple Houzen Courtyard", Wang Bo's "Sending Du Shaofu to Shuzhou", Du Fu's "Spring Wang", Bai Juyi's "Farewell to the Ancient Grass", Li Bai's "Sending Friends" and Wang Wei's "Make it to the Stop". The above ten poems are very in line with the rhyme and rhyme in the five rhythms of Tang poetry in terms of rhyme, and they also correspond to the rhythm of the five divisions, such as the substitution, relative, battle, ping, and ups and downs, which are typical of the five micro-divisions.

The development of Wulu poetry in the Tang Dynasty was extremely prosperous, especially a large number of poets who were quite talented in poetry participated in the creation of it, leaving us with a lot of excellent works. In addition to conforming to the rhythm of the poem itself, what is more needed is the broadness of the poet's feelings and vision to the reader. In this regard, the three poets Li Bai, Du Fu, and Wang Wei have done a good job, and they are the only works on the list of the finale of the five-character poetry.

The Tang Dynasty was the first era of Chinese poetry. In terms of genre, there are ancient styles, music and near-style rhythm poems, which can be said to be complete. As far as the seven-word quatrain is concerned, there are many masterpieces.

Later generations once argued about which of the seven-character quatrains in Tang poetry was the best, which could be a work of "pressing the volume". Li Panlong thinks that Wang Changling's "From the Army" is the best and can be a work of pressure. His poem says:

In the Qin period, the bright moon and the Han period, the Long March has not been returned. But to make the dragon city fly will not teach Humadu Yin Mountain. Wang Shizhen thinks that Wang Han's "Liangzhou Ci" is the best and can be used as a pressing work.

His poem says: Grape wine luminous cup, want to drink pipa immediately urge. Drunk and lying on the battlefield, Jun Mo smiled, and a few people came back to fight in ancient times.

I think that the finale of the more than 40,000 Tang poems that have been preserved must be the spring hope of the poet Du Fu。Its flat rhythm, boldness, and superb descriptive techniques are difficult to achieve in other five-character poems, even the poems of Li Bai and Wang Wei are slightly inferior.

The country is broken by mountains and rivers, and the city is deep in spring. The first 10 words are a stroke of genius. It not only writes about the desolate scenery near the two capitals after the Anshi Rebellion, but also contains the poet's yearning for the undying hope of national rejuvenation.

Affection for the scene, ingenious and appropriate, into the wood three points. In the spring, the city was overgrown with weeds and desolate, and the depression of the two capitals after the Anshi Rebellion came to light. Feeling the tears and hating the birds, this sentence uses anthropomorphism to highlight the author's feelings of worrying about the country and the people in the dilapidated scene in the country's reality.

This sentence can be described as a quatrain for the ages. Flowers can shed tears, and birds can be heartbroken, which shows how sad the author's mood is. The heart of worrying about the country and the people is clearly visible.

The beacon fire lasted for three months, and the family letter was worth 10,000 dollars. This sentence can be said to describe the war, how difficult it is to pass on a family member during the war, the family letter means the safety of the family, and whether the whole family can be preserved in the war. The number three of the ancients does not refer to the current three times, but to many times, that is to say, the war is continuous, not only for three months, but has been going on, which shows the cruelty of war.

The whitehead scratching is shorter, and the hairpin is overwhelming. My own hair, which was sad, turned white one by one, fell off one by one, and I couldn't even get a hairpin. In just 10 words, no one can describe the author's misery and sadness.

This is the finale of the five-word poem in my heart, one because of his feelings, but because of his vision。In just 40 words, the background of the general trend of the Tang Dynasty's rebellion from prosperity to decline has been vividly written, and the misery of the people in this era has been written so vividly by the author's anthropomorphic and extremely detailed description of the scene.

Wang Wei's "Sending Yuan Er Envoy Anxi" is the first famous poem of Tang poetry. This poem was widely sung by the Liyuan musicians at that time, and it was incorporated into the Yuefu Three Stacks to become the "Yangguan Song", and was called the "Pressing Volume" by later generations

It is Du Fu's "Spring Hope", whether it is from the feelings of the family and the country or from the background of the times, this "Spring Hope" can be called a work of pressure, and the ideological content is very huge.

I think it is Du Fu's poem "Spring Hope", because this poem has broader feelings and a broader vision.