Why is Wang Wei s Cumulus Rim Sichuan Zhuang Works called the work of the Seven Laws?

It is said that Wang Wei's "Cumulus Rim Sichuan Zhuang Works" is the volume of the whole Tang Dynasty, which is the pretentious preference of the ancient scholars.

The whole poem is: the rain is empty, the forest is late, the fireworks are late, and the quinoa is steamed and the quinoa is drunk. Flying egrets in desert paddy fields, yellow orioles in the shade of summer wood.

In the mountains, Xi quietly watched the hibiscus, and Panasonic Qingzhai folded the sunflower. The wild old man is competing with others, and the seagulls are even more suspicious. The author of this poem combines the leisurely life of worshipping Buddha and Zen meditation with the quiet and beautiful pastoral scenery to create a comfortable environment.

The artistic conception of the blending of scenes. Elegant and lonely. Profound and superb.

The image is distinct. It is a display of the poet's unique style and a representative work of Wang Wei's idyllic poetry.

The first couplet writes what I saw: smoke rising over the jungle after the rain, and peasant women cooking rice on a fire, sending it to her husband who was working in the fields. It makes the reader seem to see the farmer and the peasant woman doing their own thing.

I am happy with the picture and feel the strong atmosphere of rural life. Note: A "late.""The words not only make the smoke after the rain more expressive, but also reveal the poet's leisurely state of mind.

The jaw couplet continues to describe what he sees and hears from the heights: look, the egret flies, how idle the attitude is; Listen, the orioles sing with each other, and their singing voices are so sweet. The egret flies to take the dynamic, the yellow bird sings and takes the sound, the indifference, and the yin and yin frequently add to the vastness of the realm.

Deep. The two images complement each other. Together, this is a picture depicted in the poem.

Neck coupling at the top. The diptych poet is objectively described. Mind filtering on the basis of a twist:

The poet who is alone in the empty mountain, looks at the hibiscus and understands life, and picks sunflower for fasting. This is the personality of a poet! As he said, "In old age, you can only be quiet, and you don't care about everything.""。

Isn't this kind of loneliness just a place for poets?

The poet of the tail couplet closed in a self-proclaimed tone: two dictionaries full of Lao Zhuang's color, one is used positively, and the other is used in reverse. Yang Zhu Daocheng, competing for the seat and proving that Daocheng can integrate into the world; The seagulls are the original relatives, suspicious and strange. The poet is indifferent to nature. The state of mind that is indisputable with the world is expressed in one word.

It doesn't matter whether the Rain Rim Chuanzhuang is a full Tang Dynasty seven-law poem, but we can appreciate its profound artistic conception and Chaomai style.

I think the main reason is that this article is concise and to the point, and the main thing is that it is very rhyming between sentences.

Because Wang Wei's "Cumulus Rim Chuanzhuang Works" is the best of the seven-law poems, it is called the work of pressing the volume.

It's so good. This poem is not only fluent in language and exquisite in words, but also rare in just a few sentences to create a vivid life scene, which makes people feel empathy when reading it.

Wang Wei's "Cumulus Rim Sichuan Zhuang Works" is the press volume of the whole Tang Dynasty, which is the arrogant preference of the ancient scholars. The whole poem is: the rain is empty and the fireworks are late, and the steamed quinoa drinks the corn and the east is gone.

Lonely rice fields flying herons, yin summer wood and yellow orioles. In the mountains, Xi cleanses the heart of the hibiscus, and Konka Qingzhai folds the sunflower. Ye Lao and people are arguing, and the red-headed gull is even more suspicious.

The creator of this ancient poem combines the idle life of worshipping the Buddha and enlightening the Buddha with the quiet and beautiful scenery of the countryside to create a comfortable environment. The artistic conception of the scenery. Elegant and lonely.

Deeply and superbly. The brand image is unique. The interest is long, it is the display of the writer's distinctive style, and it is the representative work of Wang Wei's landscape idyll.

Tang and Song poems are a bright pearl in the history of Chinese civilization and an insurmountable refresh of plastic art. When I answer the question in this way, it is actually disobedience and unfilial piety to Tang and Song poems. Therefore, I do not agree with arbitrarily setting the tone of Tang and Song poems and their Tang Dynasty poets in my own opinion, saying that this or that poem is "a work of pressing volumes" and "a solitary piece pressing the whole Tang Dynasty".

The work of everyone, the description of the scenery will also be open to people's ears and eyes, those who have a situation will become high-level, and those who have high-level conditions have a famous saying. In the poem, the lonely rice field flying herons, the yin summer wood and the yellow oriole, from ancient times to the present, have been admired by everyone, and I feel that in the whole Tang Dynasty poems, the plain and elegant and lonely, there is nothing more than the right sentence. Especially in the word lonely, the brand image writes the scene of the rice fields are densely populated, and the yin yin writes the scene of the green grass in summer.

The use of these two syllables makes the poems more refreshing, more spiritual, and more charming.

In the hustle and bustle of the world, in the red dust, should we also let go of our hurried steps, comfort our hearts, not work on the form, relax moderately, go to the poor place of water, sit and watch the clouds rise, to take care of and reflect on our souls. In fact, it doesn't affect moving forward. Wang Wei inadvertently in the political circles, but was promoted by Tang Su Zonghao as the right of Shangshu, in ancient times, the left was the top, and the right of Shangshu was equivalent to the current vice premier of the country.

If Wang Wei's ancient poem is said to be the work of the Seven Laws, it is the subjective cognition of a small number of people who ask questions, and the natural poem is not up to the mark, everyone has everyone's understanding and cognition, which is very normal in art appreciation, as it is often said that there are a thousand Hamlets in the eyes of a thousand people. In the words of Voltaire: I can resist your views, but I will defend to the death your uncle!

It is also fair and just human nature.

After the late Tang Dynasty, Tang poetry and Song poetry gradually entered the heyday. It cannot be ignored that Wang Weishi is the first super-first-class creator in this period. Zhao Diancheng's note "Wang Youcheng Collection" includes 479 poems of Wang Wei, of which 20 are seven laws, of which 7 are made by Fenghe and should be systematized, 6 are implemented, and 7 are other specific contents.

It can be seen from this that the Seven Laws are not an extremely important subject matter in Wang Wei's creation, although its specific content has been more expanded than that of Shen Yan and Song Zhiwen, and the words are smoother, the middle of the sound layer is still inevitably staggered.

Because this work is really good, especially deep, he is really a legend.

This poem depicts the quiet and moist beauty after the rain in summer, and integrates the Zen mechanism into the scene. Tell us that outside the hustle and bustle of the world, there is another otherworldly and leisurely life.

The original poem is as follows: The rain is empty and the fireworks are late, and the steamed quinoa is steamed and the millet is paid.

Flying egrets in desert paddy fields, yellow orioles in the shade of summer wood.

In the mountains, Xi quietly watched the hibiscus, and Panasonic Qingzhai folded the sunflower.

The wild old man is competing with others, and the seagulls are even more suspicious.

The first two diptygs depict the beauty of the mountains: summer, long rain, in the silence of the valley, the smoke of the cooking stove rises slowly. Farmers, steaming quinoa and cooking millet and delivering rice to the fields.

Between the vast clouds and water, the egrets flew leisurely, and in the lush woods, the yellow warblers chirped gently. Cumulus rain, cooking smoke, peasants, egrets, and warblers constitute a beautiful landscape idyll, no wonder the world says, Wang Wei's poems, there are paintings in the poems, and there are poems in the paintings.

The last two couplets draw their own interest in life: I sit quietly under the hibiscus tree, watching the beautiful hibiscus flowers bloom and fall, how short, how can life not be like this, compared to the vast universe, life is only a moment. What is the true meaning of a truly flavorful life?

Or pick a little okra, coarse vegetarian is better. Su Dongpo, a descendant, also expressed such thoughts in the article, he said, the cloth is warm, the vegetable roots are fragrant, and the taste of poetry and books is long.

The last two sentences euphemistically express his enlightened and pure ideological realm. Life is hard, and after a busy time, we can relax and melt ourselves into the pure nature.

In the poem, the desert paddy field flies egrets, and the yellow orioles in the yin and summer trees have always been appreciated by people, especially the word desert, the image writes the scene of the paddy fields dotted around, and the yin and yin write the scene of the green trees in the summer. The clever use of these two overlapping words makes the poems more refreshing, more spiritual, and more charming.

Wang Wei's poems are full of Zen interest. He took advantage of his free time to build a villa in the mountains of Lantian South and lived a semi-secluded life. The place where he lived in seclusion was called Rim River, which means wheel, meaning that the waterways of this place are as dense as the wheels.

On the other hand, in this poem, everything is so quiet, tranquil, without purpose, everything is self-adapting and natural. Isn't this the realm of Zen? Therefore, should we also let go of the hurried pace and relax appropriately?

Cumulus Rim Chuanzhuang as Tang Wang Wei.

The rain is late in the empty forest, and the fireworks are late, and the steamed Li cooks the corn and pays the east.

Fireworks: Refers to the smoke of cooking at the foot of the mountain.

Li: An herbaceous plant with stems that can be used to make a cane. Millet: A kind of crop, the seeds are called yellow rice after the kernels are hulled.

Flying egrets in desert paddy fields, yellow orioles in the shade of summer wood.

Desert: A vast appearance. Yin Yin: The appearance of deep and deep.

Xiao: Tweet. In the mountains, Xi quietly watched the hibiscus, and Panasonic Qingzhai folded the sunflower.

Xi Jing: Accustomed to a quiet life. Hibiscus: Hibiscus flowers bloom in the morning and twilight, so it is called.

Ching Zhai: Vegetarian Fasting. Dew sunflower: Sunflower with dew.

The wild old man is competing with others, and the seagulls are even more suspicious.

Fighting: Use "Zhuangzi Fable" to record that Yangzi lived to see Lao Tzu, and the people in the hotel competed with him for a seat.

Seagull: Use "Liezi Yellow Emperor" to make the sea gull bird classic. Laughing Brigade.

This is the expressive expression of the recluse's tranquil and leisurely, indisputable heart and demeanor. The first two couplets are the words of contemplation. "Late fireworks" writes about cooking smoke after rain, and "Dump Donghua" writes about delivering food in the fields, and sees his own pleasure in the busyness of others.

In the poet's eyes, the simple life of the peasant family, far from the hustle and bustle, undoubtedly has the same essence as his own attitude of being born and being honest, so it attracts his attention. "Desert" is written in the "flying" and "chirping" of birds, making good use of overlapping words to mediate the tone, the pen is calm, and the agility of the bird is more and more quiet. The last two couplets are converted to writing themselves.

Xi Jing and Qing Zhai point out their human nature, reflecting the hermit style different from the poem "Returning to the Garden and Pastoral Home" by Tao Yuanming. Finally, two allusions in Taoist literature are used in conjunction with ethereal questions to further reveal the poet's ambition to be extraordinary.

The lifeblood of this question is in the word "cumulus rain". The beginning of the sentence is the title, and the third and fourth scenes are extremely vivid, and the sentences are indelible for eternity. In the last four sentences, the words are defeated and searched for oneself in the village.

Zhao Zhan Yan".

Cumulus Rim Chuanzhuang is a famous poem in the landscape idyll of the great poet Wang Wei of the Tang Dynasty. The poem is written from the cumulonty, and the Lingchuan is very beautiful after a long rain: the air is humid and the cooking smoke is curling. Farmers are draining stagnant water while their families prepare lunch. Clause.

The third and fourth sentences write about the natural scenery of the mountain villa: the egrets are flying on the confused paddy fields after the rain, and the yellow orioles are singing in the thick shade. Cumulus rain brings joy to waterfowl and cools down orange songbirds. Clause.

Five or six sentences describe the poet's life in the mountains.

The whole poem shows the poet's seclusion in the mountains and forests, detached from the world.

Zhuangzi, Miscellaneous, Fables: Yang Zhu went to learn the Tao from Lao Tzu, and on the way the hostel owner welcomed him, and the guests gave him their seats; After returning from school, the passengers no longer gave up their seats, but "competed" with him, indicating that Yang Zhu had obtained the way of nature and had no separation from people. "Liezi Yellow Emperor Chapter" contains:

There are people at sea who are close to gulls and birds, and they do not suspect each other. One day, his father asked him to catch the seagull and bring it home, and when he went to the beach, the seagull flew far away, and his intimacy with the seagull was ruined. These two allusions full of Lao Zhuang color, one is used, the other is reversed, and the two are combined, expressing the poet's natural state of mind, and this state of mind is the result of "Qing Zhai no Ming Tuan" and "Xi Jing" written by Shanglian.

(1) The first couplet: "The fireworks in the empty forest are late, and the steamed quinoa is cooked." It depicts a picture of the life of the Tian family.

Fireworks", cooking smoke, "late", not only writes that the rainy days make the branches and air extremely humid, and the firewood is not easy to burn, but also vividly shows that in such a humid air, the smoke can not go straight to the sky, but can only drift in a roundabout state. The latter sentence describes the peasant women in the mountains who are busy steaming quinoa and boiling millet to deliver food to men working in the fields to the east, which is the origin of the fireworks. In just two lines, the poem not only describes the weather that is common in autumn, but also cleverly combines this weather with agricultural activities, making the reader feel as if they are there in person, creating an almost real atmosphere.

Only those who are not shocked in their hearts can write ordinary scenes with such a rhyme. The carefree life of the peasant family has a strong resonance with the poet's leisurely and comfortable life pursuit and aesthetic taste, which is not only the actual environment in which the poet is placed, but also the external expression of the poet's quiet and indifferent inner world.

2) These two poems have the words indifferent and yin, turning the ordinary and somewhat dull "the egret in the paddy field flies, and the yellow bird in the summer wood" into a vivid, vivid, and affectionate famous sentence through the ages, showing Wang Wei's superb Braille art.