Where is the comprehensive expression of Peking Opera art?

Beijing opera. Not only has a poetic general.

Language Arts. Almost every sentence.

Nyaku. All pay attention to the tone and frustration, the level is clear, catchy, every sentence.

Libretto. All pay attention to.

Poetic metrics. Or seven words, or.

Ten words. And talk about the rhyme, talk.

Arts. Fighting, even more.

Zhongzhou rhyme. The norms are associated with.

Lake Guangyin. of the four tones. At the same time, Peking Opera also combines singing, dancing and dancing. Fine arts.

Literature. Sculpture. And. Martial arts.

Skills. Together, yes"Dance every time you move, and sing when you have a voice"Synthesis of art. It's not like.

Opera. Ballet.

Drama. With songs, dances, and words.

One word. That's it. It is in the process of hundreds of years of formation to absorb the art of folk song and dance, rap.

And. Farce.

and other forms have been combined for a long time, melting songs, dances, poems, and paintings into a furnace and gradually achieving a harmonious and unified result. This is what makes our country.

Opera. Formed over hundreds of years of history"Singing and dancing with stories"(I think that's better than that.)

Wang Guowei. What Mr. said"Tell the story with song and dance"more accurate, more realistic) performance characteristics.

The upstairs is very professional, is it a fan or a professional? Strong support!!

Answer]: Singing, reciting, doing, and beating the ears are the four artistic means of Peking Opera performance, and they are also the four basic skills of Song's Peking Opera performance. Therefore, the answer to this question is carefully guessed C.

Hello, Oak Defeat brings the artistic expression of Peking Opera: singing, reading, doing, and playing. The four means of artistic expression of Peking Opera are divided into singing, reading, doing, and playing, which are also the four basic skills of opera performance, "singing" refers to singing skills, "reading" refers to ** sex reading, "doing" refers to doing work, and "fighting" refers to Liang Fu is the skill of martial arts and tumbling, these four are indispensable, and usually the actors who learn Peking Opera should be trained from these four aspects since childhood.

Peking Opera is one of the three quintessences of our country, in literature, dry performances, stage arts, etc., there is a set of standardized artistic expressions, in the country are worn very widely, the influence is huge, in May 2006, was approved to be included in the first batch of national intangible cultural heritage list.

The four means of artistic expression of Peking Opera are divided into singing, reading, doing, and playing, which are also the four basic skills of opera performance, "singing" refers to singing skills, "reading" refers to ** sex recitation, "doing" refers to doing work, and "fighting" refers to martial arts and falling skills, these four are indispensable, and usually the actors who learn Peking Opera have to train from the source of these four halls since childhood.

What are the means of expression of Peking Opera art?

Singing and doing are complementary to each other in Peking Opera, in which singing and reading constitute the two major elements of the performing art of singing and dancing Jinghui Rock Opera, that is, "song", and the combination of doing and playing is the "dance" that constitutes one of the two major elements of singing and dancing Peking Opera, making Peking Opera more ornamental and artistic.

Peking Opera is one of the three major countries in China, in literature, performance, stage art, etc., there is a set of standardized artistic expressions, in the country are worn are extremely extensive, the influence is huge, in May 2006, was approved to be included in the first batch of national intangible cultural heritage list.

Other features of Peking Opera

In addition to the four artistic performance methods, Peking Opera also has several kinds of character divisions, in order to reflect the character characteristics of the characters, they also use different colors of masks, including red face, black face, blue face, green face, yellow face, white face, gold face, silver face, etc., which can quickly substitute the audience into the scene.

The artistic characteristics of Peking Opera are reflected in the fact that it is a very complex comprehensive art, in Peking Opera, including singing, chanting, doing, playing, music, hunger, music, art, etc., are all kinds of art, and its other characteristic is that it originates from life in performance, but it does not copy life, and beautifies the language and actions in life, so as to form a special performance technique and reflect life more vividly.

What are the artistic characteristics of Peking Opera.

The artistic characteristics of Peking Opera are mainly reflected in its performance itself is a very complex comprehensive art, in Peking Opera, often in the performance of this item, it is a comprehensive art, it includes singing, reading, doing, playing four basic skills, plus **, art, lighting, costumes, etc., it constitutes a very complex comprehensive art, which is also one of the reasons why it has become the quintessence of the country.

Another characteristic of Peking Opera is that it originates from life, but there is no uproar and return to life, when performing on the stage, it starts from life, and based on the things in life, it is highly generalized, and the form, language, and action in life are beautified, decorated, exaggerated, etc., so as to form a special expression technique, and then reflect life.

The expression of Peking Opera art

The expression of Peking Opera stage art is embodied in literature, table performances, singing, gongs and drums, makeup and other aspects, and through long-term exchanges, practices, integration, etc., it has constituted a set of standardized performance modes that restrict and complement each other, creating one after another extremely vivid stage images.

The four artistic techniques of Peking Opera are: singing, reading, doing, and playing, and these four artistic techniques are also the four basic skills of Peking Opera performance.

"Singing" refers to singing skills, and "reading" refers to ** sexual recitation, the two complement each other and constitute one of the two major elements of the Peking Opera performing arts. "Do" refers to the shouting of the burning gear is to do the work, that is, the dance-like body movements, which can be understood as performance. "Fighting" refers to the skills of martial arts and tumbling, which combine with each other to form "dance", one of the two major elements of the performing arts of Peking Opera.

These four artistic means are the four basic skills that are indispensable for opera performance, and are commonly known as the "four skills" in the opera industry.

Opera actors have to be trained from these four aspects since childhood, although some actors are good at singing skills (singing skills veterans), some professions are mainly based on doing skills (Hua Dan), and some are mainly martial arts (Wu Jing).

However, every actor is required to have excellent singing, reading, doing, and playing four basic skills, in order to give full play to the function of opera art performance as a song and dance drama. Better performance and portrayal of various characters in the play.

Among them, there are singing, dancing, dialogue, martial arts, and various symbolic movements, which is a highly comprehensive art.

Sheng, Dan, Jing, and Chou are the four types of roles in Peking Opera, and the special terms for these four types in Peking Opera are called "Xingdang".

Sheng: A general term for male positive characters other than flower faces and harlequins, divided into old students, martial artists, small students, red students, and doll students.

Dan: A general term for the positive roles of women, divided into Tsing Yi (Zhengdan), Hua Dan, Boudoir Dan, Dao Ma Dan, Wu Dan, and Cai Dan.

Net: Commonly known as flower face, most of them play male characters with some peculiarities in personality, quality or appearance, with makeup and face, loud timbre and rough style. "Net" is divided into a big flower face that is stupid to promote the lord with singing skills, divided into Zhengjing (heavy singing skills, called copper hammers, black scalp wild), shelf flowers (heavy industry frames), Wu Erhua, beating flowers, oil flowers (a hair net).

Ugly: Playing a comedic role, because he smeared a small piece of white powder on the bridge of his nose, commonly known as a small flower face. Fen Wen Chou (divided into square scarf ugly, robe belt ugly, old ugly, Rong Yi ugly, and also played Cai Dan, mother-in-law), Wu Chou (also known as opening jump) and so on.

Each profession has a set of performance programs, and each has its own characteristics in the skills of singing, chanting, and fighting. <>

The four artistic techniques of Peking Opera performance are "singing", "reading", "doing" and "fighting".

"Sing" refers to singing, and "reading" refers to the recitation of the first nature, and the two complement each other and constitute one of the two major elements of the Peking Opera performing arts. "Doing" refers to the danced body movements, and "fighting" refers to the martial arts and tumbling skills, and the two are combined with each other to form "dance", which is one of the two major elements of the Peking Opera performing arts.

Opera actors must be trained from these four aspects since childhood, although some actors are good at singing, some are mainly doing skills, and some are mainly martial arts. However, every actor is required to have excellent four basic skills of "singing", "reading", "doing" and "playing". Only in this way can we give full play to the artistic characteristics of Peking Opera.

It is more smooth and easy to express and portray the various characters in the play.

Classification of Peking Opera

1. "Sheng" is a general term for male positive characters other than flower faces and harlequins, which are divided into old students, martial artists, and small students.

2. The collective name of "Dan" female positive roles is divided into Tsing Yi, Hua Dan, Boudoir Dan, Dao Ma Dan, Wu Dan, Cai Dan, and Lao Dan.

3. "Jing" is commonly known as the flower face, most of them play male characters with some peculiarities in personality, quality or appearance, makeup makes the town use the face, the timbre is loud, and the style is rough. "Net" is divided into a big flower face based on singing, divided into Zhengjing, shelf flower, Wu Erhua, beating flower, oil flower.

4, "Ugly" plays a comedy role, because he smeared a small piece of white powder on the bridge of his nose, commonly known as a small flower face. Fen Chou, Wu Chou, etc. Each profession has a set of performance programs, and each has its own characteristics in the skills of singing, chanting, and fighting.