Seek knowledge of Peking Opera, some small knowledge of Peking Opera

It's actually quite simple.

1 Shengxing: Xiaosheng refers to a young man who does not have a long beard and is relatively handsome, and is generally full of anger.

Wu Sheng is a young man with unique skills and martial arts.

Lao Sheng refers to an elderly person, and generally this kind of person wears a beard "The term is called a mustache" is clearer than Xiao Shengqing in terms of makeup, and the eyebrows are not very heavy colors.

2 Danxing: A general term for women. Yes"Xiao Dan"Refers to a little girl from an unmarried poor family.

Lao Dan"Refers to elderly women who are elderly.

Tsing Yi"Refers to middle-aged women.

Wudan"with"Knife Horse"Refers to women who have unique skills and martial arts.

3. Net line: Generally speaking, there are copper hammer flower faces, also called big flower faces and shelf flower faces, "Wuhua face".

4. Ugly behavior: Divide the ugliness and the ugliness.

A Copper hammer face: also called singing face. Because his representative Xu Yanzhao is holding a copper hammer. Therefore, all singing skills are generally called copper hammer faces.

b Correct, not called Zheng Gong Lao Sheng, but Zheng Gong Lao Sheng. This refers to the fact that the profession in which the actor is engaged is the main old-fashioned trade.

Copper hammer face: Originated from the Peking Opera "Da Tan II" (that is, the copper hammer held in Xu Yanzhao's arms in the second palace of the Great Baoguo Exploration of the Emperor's Mausoleum), the copper hammer face is mainly sung.

The old worker Qingyun has already said.

In addition to the cultural relics they say, the children in Peking Opera also have a kind of life called doll life.

The relationship between Shengdan and Jingughou is that the older generation of Peking Opera artists according to the character of the character. Gender. The distinction made on Facebook in all aspects of age, I hope you will take a look at the relevant information and channel 11. When you like Peking Opera, you won't feel complicated.

Like an unmarried girl, even if she is a boudoir.

The middle-aged woman is Tsing Yi.

The little girl is Hua Dan.

The old lady is the old dan.

The women who can martial arts are Dao Ma Dan and Wu Dan.

Like some officials, they are old students (the beard with them is a thin layer, and the term is called mustache), Zhang Fei is a flower face (it is a big beard, and a man with a small white face is a small student.

The man who can fight is like Wu Song, who is a martial artist.

Shengxing: Xiaosheng refers to a relatively handsome young man who does not have a long beard and is generally full of bookishness.

Some trivia about Peking Opera.

Introduction: Peking Opera is regarded as the quintessence of China and is included in the "Representative List of the Intangible Cultural Heritage of Humanity", which has spread throughout the country and the world, and has become an important medium for introducing and disseminating traditional Chinese art and culture to the outside world. The following are some small knowledge about Peking Opera that I have carefully compiled for you, welcome to refer to it!

Peking Opera**

1. The singing voice of Peking Opera belongs to the plate variant, with Erhuang and Xipi as the main vocal cavities. Erhuang's melody is stable, the rhythm is soothing, and the singing tone is more dignified, vigorous and steady, which is suitable for expressing depressed, solemn, sad and indignant emotions. Sipi's melody fluctuates greatly, the rhythm is compact, and the singing tone is relatively smooth, light, bright and lively, which is suitable for expressing cheerful, resolute and resentful emotions.

2. The plate type of Peking Opera refers to the structure of the singing cavity. In general, there are four types of plate eye forms: one-eye plate (equivalent to four or two beats); Three-eyed office, (equivalent to four or four beats); No eye plate (equivalent to 41 or 81 beats); Loose plate (neither plate nor eye).

In the various sound chambers, the original is the basis for change. In addition to the original, there are also slow boards, fast three-eyed, guide plates, loose plates, assembly boards, etc.

3. The accompaniment of Peking Opera is called "scene". The scene is divided into two parts: "Wenchang" and "Wuchang". The literary field is an orchestral part, mainly accompanied by singing, in addition to playing instrumental music cards and passages**.

The martial arts field is a percussion instrument, which is mainly used to perform with the body, express the thoughts and emotions of the characters, set off the stage atmosphere, and organically coordinate and unify the singing, chanting, and fighting.

The trade of Peking Opera

1. Peking Opera can be divided into four professions: Sheng, Dan, Jing and Chou. The raw behavior is a male character, which can be subdivided into old students, small students, baby students, martial artists, red students, etc. Dan is a female figure, which can be subdivided into Tsing Yi, Zhengdan, Hua Dan, Dao Ma Dan, Lao Dan and so on.

2. Male characters with special personalities such as majestic, rough, and bold behavior, which can be subdivided into flower faces (copper hammers, black heads), shelf flower faces, martial flower faces, etc. Ugly villains or witty and funny characters, which can also be subdivided into literary ugly, martial ugly, etc.

Modern Peking Opera

1. Broadly speaking, all Peking Opera that reflects real life after the May Fourth Movement to the present day can be regarded as modern Peking Opera. Such as Mei Lanfang's "Waves of the Sea of Evil", "Anti-Gold Soldiers", Cheng Yanqiu's "Tears of the Barren Mountain", "Tears of Green Frost" and so on.

2. In a narrow sense, it is a new Peking Opera created after the founding of the People's Republic of China, under the guidance of the "Double Hundred Policy", through the reform of Chinese opera, and from the perspective of historical materialism, which reflects the real life of society. Such as: "Hai Jui's Dismissal", "Red Lantern", "Shajiabang" and so on.

Brief description: Peking Opera, with Xipi and Erhuang as the main tones, accompanied by huqin and gongs and drums, is regarded as the quintessence of China and ranks first in the list of the three tripods of Chinese opera. The most representative Chinese Peking Opera performing arts masters include Tan Xinpei, Mei Lanfang, etc.

Origin: The four major Hui troupes performed in Beijing, opening the prelude to more than 200 years of magnificent Chinese Peking Opera history. The artists of various vocal opera genres in Beijing, in the face of the all-encompassing and all-encompassing artistic advantages of the Hui class, have no old force to compete with them, and most of them have turned to the Hui class.

Introduction: Peking Opera stage art in literature, performance, singing, gongs and drums, makeup, face painting and other aspects, through the long-term stage practice of countless artists, constitutes a set of mutually restrictive, complementary rhythmic and standardized programs.

Expression: The four artistic techniques of Peking Opera performance: singing, reading, doing, and playing are also the four basic skills of Peking Opera performance.

Opera actors must be trained from these four aspects from an early age, and every actor must have excellent singing, reading, doing, and playing four basic skills. Only in this way can we give full play to the artistic characteristics of Peking Opera. Better representation and portrayal of various characters in the play.