What are the two major types of Peking Opera singing, and what are the two most basic vocal cavities

Peking Opera was originally called Pi Huang Opera, so the two major singing voices are Xipi and Erhuang.

It is often called "Pi Huang", that is: West Pi and Erhuang.

The main difference between Xipi and Erhuang is in the strings of the piano.

The two most basic vocal chambers of Peking Opera are Xipi and Erhuang. Moreover, Peking Opera, also known as Ping Opera and Peking Opera, is the most influential opera genre in China, with Beijing as the center and all over the country. In addition, Peking Opera is broadcast throughout the country and is known as "National Opera".

The Peking Opera performance system named after Mei Lanfang is regarded as a representative of the Oriental drama performance system and is one of the three major performance systems in the world.

The most significant difference between "Xipi" and "Erhuang" is in the rhythm. "Xipi" is mainly bright and bright, and "Erhuang" is mainly low and sad. "Xipi" is the eye up and down, that is, beating the drum to start singing, playing the board and radio, and "Erhuang" is the board up and down.

The Xipi cavity was born from the Bangzi cavity, so its melody is high-pitched and passionate, and it has obvious northern characteristics. There are two theories about the origin of the "Erhuang cavity". One is said to originate from the Yihuang cavity in Jiangxi; One is said to originate from the Hui tone.

Whether it originates from the Yihuang dialect or the Hui tone, in short, it is a southern opera, so its southern ** characteristics are more prominent.

Xipi singing in Peking Opera:

Xipi is one of the main vocal chambers of Peking Opera. Sippy's melody is lively and cheerful, and his singing voice is strong and powerful, and the rhythm is tight, which is very suitable for expressing joyful jumps, determination, and resentment.

The plate types of Xipi are: original, allegro, slow plate, flowing water, guide plate, loose plate, rolling plate, rocking plate, two.

Sixth, Huilong, fast three eyes, doll tune, anti-Xipi and so on.

At the end of the Ming Dynasty and the beginning of the Qing Dynasty, the Qin dialect spread to Wuchang and Hankou through Xiangyang, Hubei, and evolved in combination with local folk tunes. In Peking Opera, Peking Opera stills, Han Opera, Hui Opera and other dramas, Xipi is used in conjunction with Erhuang accent, collectively known as "Pi Huang". In Hunan opera, Guiju opera and other dramas, Xipi is also called "North Road", opposite to Erhuang called "South Road", or collectively called "North and South Road".

Peking Opera Xipi includes a guide plate (inverted plate), a slow plate (slow three eyes), an original plate, and a second plate.

Sixth, allegro, loose plate, rocking board, back dragon and other plate types. Compared with Erhuang, Xipi is generally more high-pitched and vigorous, lively and bright. There is also an anti-Sippy tone, which is also included.

Two. Sixth, rocking plate and other plate type.

There are two kinds of singing voices in Peking Opera, one is "Xipi" and the other is "Erhuang".

Sipi: Sipi's Huqin is 6-3 strings, the tune is jumping and lively, the rhythm is compact, and the singing tone is bright and brisk, which is suitable for expressing emotions such as cheerfulness and perseverance. Traveler.

The west leather plate type includes the original plate, slow plate, fast three eyes, guide plate, back dragon, loose plate, rocking plate, rolling plate, two.

Sixth, running water, allegro, etc. The original board is the basis of various western leather plates, one board and one eye, approximate 2 4 beats, used for narrative, scenery, conversation, and expression of feelings, and is extremely useful.

Erhuang: Erhuang's Huqin is set to 5-2 strings, which is a relatively peaceful, steady, deep and lyrical tone, with a soothing rhythm and a eloquent voice, suitable for expressing emotions, such as emotion, worry, reminiscence, aria, sadness, etc. The two yellow plate types mainly include the original plate, slow plate, fast three eyes, touch the plate, the top plate, the guide plate, the dragon back, the loose plate, the rocking plate, the rolling plate, etc.

The difference between the two: the most obvious difference between the two singing voices of "Xipi" and "Erhuang" is the rhythm, among them, the tune of "Xipi" is brighter and brighter, while the tune of "Tearing Potato Erhuang" is more low and sad. And "Xipi" is an eye up and down on the board, that is, beating the drum to start singing, playing the board and radio, while "Erhuang" is the board up and down, and the singing and radio are on the board, which is also an important difference between the two.

Peking Opera Classification:

Sheng: In addition to the flower face and the harlequin, the general term for male positive roles, divided into old students (also divided into heavy singing Angong old students, heavy martial arts rely on old students), martial arts (long by martial arts, short martial arts and should work monkey play), Xiaosheng (divided into fan sheng, pheasant tail sheng, poor sheng, Wu Xiaosheng).

Dan: A general term for female positive roles, divided into Tsing Yi (Zhengdan), Hua Dan, Boudoir Dan, Dao Ma Dan, Wu Dan, Cai Dan, and Lao Dan.

Net: Commonly known as flower face, most of them play male characters with some peculiarities in personality, quality or appearance, with makeup and face, loud timbre and rough style. "Net" is divided into a big flower face based on singing, divided into Zhengjing (heavy singing gong hole stuffy, called copper hammer, black head), shelf flower (heavy industry frame), Wu Erhua, beating flower, oil flower (a hair net).

Ugly: Playing a comedic role, because he smeared a small piece of white powder on the bridge of his nose, commonly known as a small flower face. Fen Wen Chou (divided into square scarf ugly, robe belt ugly, old ugly, Rong Yi ugly, and also played Cai Dan, mother-in-law), Wu Chou (also known as opening jump) and so on.

Each profession has a set of performance programs, and each has its own characteristics in the skills of singing, chanting, and fighting.