The singing voice of Peking Opera, the two singing voices of Peking Opera performance

I don't know what you're going to ask...

The two types of singing voices in Peking Opera performances are mainly composed of the famous "Xipi" and "Erhuang" two major vocal cavities, the so-called "Pihuang cavity".

Sipi "jumps into the interval, the overall pitch is high, and its key is mostly in the "palace" key, so its melodic tone is bright, gorgeous, sharp, and when processed with a gentle rhythm, it mostly expresses a bright, lyrical comedy plot and pleasant character emotions. Sippi includes a guide plate (inverted plate), a slow plate (slow three-eyed), an original plate, and a two.

Sixth, allegro, flowing water, loose board, rocking board, back to the dragon and other plate types.

"Erhuang" is mainly based on the progressive interval, the overall pitch is low, and its key is mostly based on the "Shang" key, and the tone of its melody is dull, dignified, and calm, and when the rhythm is slow, it is mostly used to express the depressed tragic plot and melancholy character emotions; When the rhythm is strong, it mostly expresses depressed and tragic dramatic scenes and sad and angry character emotions. Erhuang includes the guide plate (inverted plate), slow plate rotten (slow three-eyed), original plate, stacking plate, loose plate, rocking plate, Huilong and other plate types.

Peking Opera used to be called "Erpi Huangzi", which is the name of Peking Opera out of the "Far Gate", Beijing and Tianjin are called Ping Opera, and the name of Peking Opera Peking Opera is transmitted to the beach when it is called Peking Opera and Peking Opera by some nobles in Shanghai.

Peking Opera is Chinese"Quintessence of the country", also known as Pi Huang, Er Huang, Huang Cavity, Beijing Tune, Peking Opera, Ping Opera, Chinese Opera, etc. When it comes to the name of Peking Opera, it is necessary to briefly talk about the process of the production of Peking Opera.

There are two kinds of singing voices in Peking Opera, one is "Xipi" and the other is "Erhuang".

Sipi: Sipi's Huqin is 6-3 strings, the tune is jumping and lively, the rhythm is compact, and the singing tone is bright and brisk, which is suitable for expressing emotions such as cheerfulness and perseverance. Traveler.

The west leather plate type includes the original plate, slow plate, fast three eyes, guide plate, back dragon, loose plate, rocking plate, rolling plate, two.

Sixth, running water, allegro, etc. The original board is the basis of various western leather plates, one board and one eye, approximate 2 4 beats, used for narrative, scenery, conversation, and expression of feelings, and is extremely useful.

Erhuang: Erhuang's Huqin is set to 5-2 strings, which is a relatively peaceful, steady, deep and lyrical tone, with a soothing rhythm and a eloquent voice, suitable for expressing emotions, such as emotion, worry, reminiscence, aria, sadness, etc. The two yellow plate types mainly include the original plate, slow plate, fast three eyes, touch the plate, the top plate, the guide plate, the dragon back, the loose plate, the rocking plate, the rolling plate, etc.

The difference between the two: the most obvious difference between the two singing voices of "Xipi" and "Erhuang" is the rhythm, among them, the tune of "Xipi" is brighter and brighter, while the tune of "Tearing Potato Erhuang" is more low and sad. And "Xipi" is an eye up and down on the board, that is, beating the drum to start singing, playing the board and radio, while "Erhuang" is the board up and down, and the singing and radio are on the board, which is also an important difference between the two.

Peking Opera Classification:

Sheng: In addition to the flower face and the harlequin, the general term for male positive roles, divided into old students (also divided into heavy singing Angong old students, heavy martial arts rely on old students), martial arts (long by martial arts, short martial arts and should work monkey play), Xiaosheng (divided into fan sheng, pheasant tail sheng, poor sheng, Wu Xiaosheng).

Dan: A general term for female positive roles, divided into Tsing Yi (Zhengdan), Hua Dan, Boudoir Dan, Dao Ma Dan, Wu Dan, Cai Dan, and Lao Dan.

Net: Commonly known as flower face, most of them play male characters with some peculiarities in personality, quality or appearance, with makeup and face, loud timbre and rough style. "Net" is divided into a big flower face based on singing, divided into Zhengjing (heavy singing gong hole stuffy, called copper hammer, black head), shelf flower (heavy industry frame), Wu Erhua, beating flower, oil flower (a hair net).

Ugly: Playing a comedic role, because he smeared a small piece of white powder on the bridge of his nose, commonly known as a small flower face. Fen Wen Chou (divided into square scarf ugly, robe belt ugly, old ugly, Rong Yi ugly, and also played Cai Dan, mother-in-law), Wu Chou (also known as opening jump) and so on.

Each profession has a set of performance programs, and each has its own characteristics in the skills of singing, chanting, and fighting.