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You see, or you don't see me.
I was right there.
Don't be sad or happy, you read it, or you don't miss me.
The love is there.
Don't come and go. You love, or don't love me.
The love is there.
Neither increase nor decrease. You follow, or you don't.
My hand is in yours.
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The original poem should read: You see or don't see, I'm there, not sad or happy;
To see or not to see (2 photos) You read or don't read, the love is there, it doesn't come and go; Whether you love or not, love is there, neither increasing nor decreasing; Whether you follow or not, my hand is in your hand, and I will not give up. There is no last paragraph in the original poem, and the last paragraph "Come into my arms, or, let me live in your heart, silently love, be silent and rejoice" is completely inconsistent with the domineering and stubbornness of the original poem, and perhaps it is the sequel to the following Tashi Ram. Compared with Tashi Ram's other poems, both the temperament and the language habits are so different from this poem.
See or not see" You see, or you don't see me, I'm right there, not sad or happy; You read it, or you don't think of me, the love is there, it doesn't come or go; You love, or you don't love me, love is there, neither increasing nor decreasing; You follow, or don't follow me, my hand is in your hand, and I will not give up; Come into my bosom, or, let me dwell in your heart. silently, in love; Silence, joy.
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To see or not to see (Cangyang Gyatso) You see, or you don't see me, I'm there Don't be sad or happy You think, or you don't miss me Love is there Don't come or go You love, or you don't love me Love is there No increase or decrease You follow, or don't follow me My hand is in your hand and I don't give up. The number of words is not enough, and there are 3 sentences.
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To see or not to see" You see, or you don't see me, I'm there I'm not sad or happy You think, or you don't miss me Love is there Don't come or go You love, or you don't love me Love is there Neither increase nor decrease You follow, or don't follow me My hand is in your hand and I will not give up Come to my arms Or let me live in your heart Silently love each other Silence and joy.
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Cangyang Gyatso, you see, or don't see me, I'm there not sad or happy, you think, or if you don't miss my love, it's there, you don't love, or if you don't love me, love is there without increasing or decreasing, or if you don't follow me, my hand is in your hand, and I don't give up in my arms, or let me live in your heart, silently, love, silence, joy.
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The full poem of Cangyang Gyatso's "Seeing and Not Seeing" is as follows:You see, or you don't see me.
I was right there, not sad or happy.
You read me, or you don't read me.
The love is there, it doesn't come and go.
You love, or you don't love me, love is there, neither increasing nor decreasing;
You follow, or you don't.
My slippery handshake is in your hand, and I won't give it up.
Come into my arms, or, let me dwell in your heart.
Silently in love, silent in love.
Appreciation of "Seeing and Not Seeing".There is no gorgeous phrase in Cangyang Gyatso's poem "Seeing and Not Seeing", only simple and unpretentious emotions, only how things change in the world, his feelings are always the same, so that the love that changes there is like a star in the sky, even if it goes through all the vicissitudes of life, it will remain unchanged for eternity. The whole poem uses the rhetorical technique of comparison, and repeatedly recites the love in the poet's heart that will not change no matter how the world changes, with a beautiful melody and great artistic appeal.
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1. "Seeing in Nothing" was written by Tashi Ram Dodo, and the poem was originally titled "The Silence of Banzaguru Baima". "Seeing and Not Seeing" is actually a widely circulated fallacy written for Cangyang Gyatso.
2. The full text of this poem is: You see or don't see me, I am there, not sad or happy. You read it, or you don't think of me, the love is there, it doesn't come or go;
You love, or you don't love me, love is there, neither increasing nor decreasing; You follow, or don't follow me, my hand is in your hand, and I will not give up; Come into my arms, or let me dwell in your heart, and love in silence, and rejoice in silence.
3. This poem was originally titled "The Silence of Banzaguru Baima", written by Tashi Ram Dodo, and the poem is from his 2007 collection of works "Suspected Wind and Moon".
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The poem is by Tashi Ram Dodo, and the full text is as follows:
Ban Shu repents of the silence of Zaguru Baima
You see, or you don't see me.
I was right there.
Not sad, not happy.
You read me, or you don't read me.
The love is there.
Don't come and go.
You love, or don't love me.
The love is there.
Neither increase nor decrease.
You follow, or you don't.
My hand is in yours.
Don't give up.
Come into my arms or let me dwell in your heart.
Silently, in love, in silence, in joy.
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To See or Not to See is written by Tashi Ram Dodo.
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To See or Not to See" was originally titled "The Silence of Banzaguru Baima" and was written by Tashi Ram Dodo.
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"The Silence of Banzaguru Baima" (also known as "Seeing and Not Seeing") was written by Tashi Ram Dodo.
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For practitioners, the guru represents the awakened mind, the supreme wisdom and compassion, and the treasure of light that is sufficient in our lives. This treasure of light also has a name, which is the true heart that is to be seen, engaged, and dwelled in it at all times. The following is an analysis of this poem from the perspective of contemplative meditation.
You see or don't see me, I'm there, not sad or happy.
Many people have lived a lifetime, but they do not know that there is a supreme treasure in their lives that transcends life and death, and this supreme hail is the true heart - the bright heart.
This sincerity and brightness has always existed in everyone's life and has never left. Whether we see it or not, it is always in our lives, silent and serene, not sad or joyful.
You read it, or you don't think of me, the love is there, it doesn't come or go;
Sincere care for every life, there is never any condition, whether we remember it or not, whether we remember it or not, it will never leave us, forever and forever with our life, life after life, never come and go.
You love, or you don't love me, love is there, neither increasing nor decreasing;
True love, unaccompanied compassion, does not increase because of your love, nor decreases because of your unlove, it is separated from all separate considerations, and fills all the time and space of life, neither increasing nor decreasing.
You follow, or don't follow me, my hand is in your hand, and I will not give up;
No matter whether you can settle down in your true heart or not, your true heart has never left you, and the hand of your true heart has always held you, never letting go of you, never giving up.
Come into my arms or let me dwell in your heart.
Only by letting go of oneself completely, allowing oneself to completely dissolve, can we see the true heart, and then enter the true heart, and this process is like a drop of water flowing into the sea, merging into the true heart and into eternity.
Silently, in love, in silence, in joy.
When you integrate into the true heart, you no longer have you, you are the true heart, and the true heart is you. At that moment, you don't need to say anything, you just need to quietly experience, to feel, to feel the deep silence, the deep serenity, the deep freedom, the deep harmony, and the coolness, clarity, purity, and joy that emanates from this deep harmony.
May all beings be able to see the self-sufficient true heart in their own lives, fit into the true heart, and integrate into the true heart! May true compassion and wisdom permeate all life!
The author is: Tashi Ram Dodo.
Tashi Ram Dodo. >>>More
Clarify that the author is Tashi Ram Dodo... The title of the poem is "The Silence of Banzaguru Baima". >>>More
The full poem of Cangyang Gyatso's "Seeing and Not Seeing" is as follows:You see, or you don't see me. >>>More
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I'll correct you one mistake first:
Seeing and Not Seeing" is from "Suspected Fengyue Collection", written by Tashi Ram Duoduo in Beijing on May 15, 2007, with the title "The Silence of Banzaguru Pema", "Banzaguru Pema" is the Sanskrit "Guru Padmasambhava". >>>More