Who are the representative writers of Late Symbolism?

Charles Baudelaire, there are a lot of representative works, and symbolism is of great significance to him, Edgar Allan Poe, symbolism has a great influence on him, Yeats, is also one of the representatives of symbolism, and they all have a lot of works and poetry collections, and so on.

The representative writers of Late Symbolism are Yeats, Eliot, Valéry, Rilke, and Wallace Stevens.

Valéry, Rilke, Yeats, Eliot, Lenard. They are all more artistic and have written very good works.

Valéry, Yeats, Rilke, Eliot, Francis Jemai, etc., these writers are very famous.

Representative writers of symbolist literature include: Eliot in England, whose masterpiece is "The Waste Land" (1922); The French poet Valéry, whose masterpiece is "The Cemetery by the Sea".

1926);Ireland.

The poet and playwright Yeats, whose masterpiece is "Sailing to Byzantium".

Yeats was awarded the 1923 Nobel Prize in Literature for "expressing the spirit of the whole nation."

Maeterlinck is one of the leading writers of symbolist theatre, and his masterpiece is The Blue Bird (1908, Titil, Mitil, Bai Lilun), which symbolizes happiness and celebrates the pursuit of happiness and light.

Early Symbolism Symbolism Connotation Meaning Sheet.

First, the relationship between monosemy and simplicity, implication and correspondence is relatively clear, while the later symbolism shows the characteristics of multiple, polysemy and complexity, and its connotation and meaning are more suggestive, associative and implicit, and the symbolic imagery is staggered and overlapped, complex and difficult to argue.

In the early stage, symbolism focused on emotional symbolism, and through correspondence and suggestion, we could get a glimpse of the author's rich emotional world, while in the later stage, symbolism was more about expressing reason, expressing abstract ideas and concepts, and focusing on the rational exploration of art, life and life philosophy.

In the early stage, symbolism pursued a vague and dreamlike poetic conception, and smelted intuitive illusions, suggestive symbols, and dreams, while in the later period, symbolism led poetry into religious mysteries, established a symbolist mythological system, and combined metaphysics, allusions, religious myths and symbolic imagery into one, showing the characteristics of ethereal nothingness.

Night and wall. Many writers in modern and contemporary literature seem to be fond of night, and they all like to listen to the sound of the night and use the image of night in their works. They have warm nights, contemplative nights, terrifying nights, death nights, cold nights, and bleak nights.

Among these many images, the "wall" appears repeatedly, carrying the complex emotions and experiences of people in this era, and has its special expression and cultural connotation. Lu Xun also depicted this invisible wall many times in other **.

We can see this high wall standing terrifyingly between the revolutionaries Xia Yu and Hua Laozhuan in "Medicine", between the sad Xianglin sister-in-law in "Blessing" and the people gloating in Luzhen, between the down-and-out Kong Yiji and the drinkers of Xianheng Hotel, and between Ah Q who was "hit by the wall" in "The True Story of Ah Q". As Lu Xun wrote in "Canopy Collection· "After hitting the wall", it said: "There are walls everywhere in China, but they are invisible, like 'ghosts hitting the wall', so that you can 'touch' at any time."

The one who can hit the wall, who can touch it without feeling pain, is the victor.

Contemporary Chinese Literature.

First of all, it refers to Chinese literature since 1949; The second refers to literature that takes place in a specific socialist historical context, which is limited to the scope of "Chinese mainland". After the founding of the People's Republic of China in 1949, Chinese writers were mainly divided into five categories: traditional literary writers, writers of the new era, Chinese avant-garde literary writers, Chinese freelance writers, and Chinese popular literature writers.

Contemporary Chinese literature has developed into five categories: "literature in the early stage of socialism", "literature in the new period" after the reform and opening up, "Chinese avant-garde literature", "Chinese free literature", and "popular literature".

1) The French poet Charles Baudelaire and the American poet Edgar Allan Poe were the pioneers of symbolism. Although the term "symbolism" first appeared in 1886, Baudelaire and Poe initially touched on some of the ideas of symbolism in their work as early as the mid-19th century.

2) The theories and creations of the American poet Edgar Allan Poe had a significant impact on the formation of French symbolism. In "Principles of Poetry Creation", he advocated anti-nature and anti-didactic poetics, and emphasized the beauty of form, implication-implication, and music-musicality, which can be regarded as the theoretical abuse of symbolism.

3) The French poet Charles Baudelaire's collection of poems, The Flowers of Evil (1857), can be regarded as the first poem with symbolist qualities. In The Flower of Evil, Baudelaire depicts morbid sexuality in a sensual tone, praising the "heart-spirit, and sensual passion", but also expressing the pursuit of light and ideals.

1. Later symbolism, multiple, polysemy, and complex.

2. Later symbolism was more concerned with expressing reason and abstract ideas.

3. Later symbolism introduced poetry into religious mysteries, integrating metaphysics, mythology, religion and symbolism.