How to grasp the division of hands in piano accompaniment?

This depends on practicing the left and right hands separately Both sides are practiced and then put together to practice Generally, the right hand is to play the main melody So the right hand can be louder The left hand can deliberately play the low sound So that the ** that plays out will not be chaotic and will not be noisy There is also polyphony When playing polyphonic works, you must figure out which hand the main melody is, and then highlight the melody of that hand The main theme of polyphony is not changed between the two hands If it is a beginner, you need a teacher more Polyphony should be practiced separately, If you have a teacher, you must ask him what the main theme of this polyphonic song is, so that the practice will not be in vain to achieve twice the result with half the effort.

This is the conclusion of my more than ten years of piano study.

Although I am not a professional piano player, my classmates have a knack (I am vocal), and I would like to share some personal understanding here.

You can try to play the piano with different dynamics with your left and right hands, the greater the difference in strength, the better, and then swap. Slowly, it may be possible to better coordinate the left and right hands.

For my own senses, it would be a little helpful to practice jazz type tunes. In particular, the left hand is syncopated, and the grasp of rhythm will be improved.

Please also add a master.

1. First of all, you must be very familiar with each key and its scales and chords, for example, if you take a simple score of 1=d, you will immediately form the concept of D major or B minor scale in your mind: d, m, f, g, a, b, c;

2. Understand the basic method of accompaniment, at least know under what circumstances to use chords, arpeggios, sub-melodies, and in what cases to use what form of rhythmic patterns, etc. If you play a piece of music with a rhythmic pattern from beginning to end, it won't feel good. This is also the problem of "texture" in the terminology, this is a theoretical thing, you should learn a little, there are books about accompaniment in the bookstore, you can take a look;

3. Usually do some exercises in this area, such as finding some very simple children's songs, matching them by yourself, and exercising your sight-reading ability. This is very important. Now there are many people with a very high level of piano, but the sight-reading ability is not strong, and he can't come to the improvisational accompaniment, but some people specialize in eating the accompaniment this bowl of rice, and they will pop up after getting the score three times or two, in fact, his performance level is not high, because he often exercises sight-reading, so he has practiced these skills.

Only the four commonly used keys of C, G, D, and F are played, including of course their relationship minor keys.

Choose a simple degree of popular pop songs to arrange with the left hand accompaniment, and if your favorite songs are more complex, you can cut them down and simplify them, and try to adapt them to your personal performance level as much as possible.

The left hand does not use complex chords, and generally chooses the third chord, the seventh chord, and a very small number of minor third chords.

The left-hand accompaniment texture can generally be singled, and the chord breakdown is controlled within one octave, and in special cases it is no more than two octaves.

There is no polyphony, and the primary and secondary of both hands are not inverted, that is, it does not take the form of a melody of the left hand and the accompaniment of the right hand.

The accompaniment pattern can generally be single, with few variations, no jumps, and no long-distance bass and treble chords.

The piano is an instrument that requires the coordination of both hands. When playing, the left and right hands need to play different notes separately and coordinate at the same time to present a perfect ** effect. The following is a brief introduction to how the two hands of the piano work together.

First, the division of labor between the left and right hands.

The left hand is usually responsible for chords, bass, and rhythm in piano playing, while the right hand is responsible for melody, treble, and notes. In this way, the left and right hands each take on different parts in the playing, resulting in a clear sound layer. In piano performance, the division of labor between the left and right hands is very important, and it needs to be reasonably arranged according to the requirements of the repertoire and one's skill level.

Second, the coordination of the left and right hands.

The left and right hands need to coordinate and cooperate in the piano performance to achieve the best harmonious playing effect. Here are some common ways to fit together:

Accent fit. The left and right hands play accents at the same time to emphasize the rhythm and beat. This combination is very effective in fast tracks, which can enhance the power and appeal of **.

Counterpoint fit. The left and right hands play different melodies separately to create a counterpoint effect. This kind of cooperation can enrich the level, increase the change and change, and make the game more vivid and interesting.

Accompaniment coordination. The left hand plays chords or bass, and the right hand plays melodies or trebles to create a complete ** effect. This kind of coordination is often used in accompaniment repertoire to make ** more fluid and harmonious.

Alternate fits. The left and right hands alternate playing different notes to enhance the rhythm and variation of **. This combination is also often used in fast tracks, which can make ** more dynamic and dynamic.

3. Practice the good way to slim down.

In order to achieve good piano hand coordination, systematic practice is required. Here are some ways to practice it:

Practice separately. First, you can separate your left and right hands and practice the melody, chords, bass, and rhythm parts separately. By practicing separately, you can strengthen the flexibility and proficiency of your fingers, and lay the foundation for subsequent coordination exercises.

Practice at the same time. After reaching a certain level of hand proficiency, you can practice both left and right hands at the same time. You can practice according to the requirements of the repertoire, and at the same time strengthen the coordination of the left and right hands, and gradually improve the level of performance.

Progressive exercises.

In order to gradually improve the level of hand coordination, a progressive exercise method can be employed. That is, start with simple repertoire and coordination, and gradually increase the difficulty and complexity until you are able to play more complex repertoire proficiently.

In general, the coordination of the two hands of the piano is a very important part of piano playing. It is necessary to carry out a reasonable division of labor and coordination according to the requirements of the repertoire and their own skill level. Through systematic practice, you can improve the level of hand coordination and make piano performance more exciting and excellent.

You need to break up and practice alone, and after practicing the coordination of the left and right hands, you can't practice it in a while, you shouldn't be in a hurry, you need to practice patiently according to the teacher's requirements.

Practice slowly with one hand, get the fingering, notes, rhythm changes and so on right, and then slowly increase the speed, and then consider the problem of closing hands when both hands are mentioned in the medium and fast. It is not advisable to close hands too early, it is easy to practice problems. At the beginning of the practice, the hands should be slow, little by little, and the left and right hands must be accurate.

Theoretically, you shouldn't memorize music when playing the piano, but you can hum along with the melody while practicing with your hands apart, or sing the sheet music before practicing, which can be beneficial.

In general, I would advise students to think about what keys they should play when they don't cross, and then cross their hands and swing them back to that position! Summary: Not familiar with staves!

Beginners can barely fit together with normal hands, but suddenly their hands are crossed, and their limbs can't adapt to it all of a sudden, so it will be difficult. The suggestion is to practice the two hands separately first, and then put them together when you are proficient.

At this time, it is necessary to practice the fingers, from Dolai Mi to Laxi, and practice repeatedly, from slow to fast, and then from fast to slow, and then let the hands play together.

I think there is still a lot of practice in this area, and the more practice you have, the better your coordination, and when you reach a certain level, you can work with both hands.