The Qinhuai River in the sound of oars and lights and shadows is summarized to the effect of 20

The differences and differences between Zhu Ziqing and Yu Pingbo's "Qinhuai River in the Shadow of Ming Song" are as follows:

1. The focus of writing is different.

Zhu Ziqing's prose focuses on a direct panoramic description of the scene.

Yu Pingbo's articles focus on the description of the supervisor, and he rarely describes directly, mostly indirectly, and expresses more inner emotions, implicitly and tactfully.

2. The language style is different.

Zhu Ziqing's language is light and delicate.

The language of Yu Pingbo's article is a mixture of literary language, spoken language, dialect, etc., and even the Europeanized component is more obvious.

3. The theme of creation is different.

Zhu Ziqing began to travel through the Qinhuai River under the cover of twilight, entering the "dream" spiritual world with the help of a small boat, and dissipating his inner melancholy through the displacement of the moon.

Yu Pingbo was trapped in the narrow world of intellectuals, so it was impossible for him to discover more positive ideas from the history and current situation of the Qinhuai River.

Specifically related:

One or two articles "Qinhuai River in the Sound of Oars and Lights and Shadows" have their own merits, and they are all very well written.

2. In 1923, Yu Pingbo and Zhu Ziqing traveled together on the Qinhuai River, with the common title of "Qinhuai River in the Sound of Oars and Lights", each wrote an essay, which accompanied Zheng Shi with different styles and merits, and became a good story in the history of modern literature.

3. Zhu Ziqing's famous work "Qinhuai River in the Sound of Oars and Lights and Shadows", which describes the experience of boating on the Qinhuai River on a summer night.

Poetic and picturesque is the biggest feature of the article.

Fourth, Yu Pingbo's work reflects his classical level of lyrics and songs, so in this prose, his skills in this area can be seen everywhere.

He blends the words of these literary and artistic styles together, which does not appear abrupt or complicated, but adds vitality and richness to the article.

Answer: No matter how long you are looking, no matter how disturbed you are singing, it is always like a thin green veil across the surface; It was so quietly, coldly green.

In the starry yellow interlacing, the Qinhuai River seemed to be covered with a cloud of light and mist. That night, Yue'er had lost two or three points. She put on her evening makeup, and she put on a round willow head.

There were originally three or two weeping poplar trees on the shore, faint shadows, swaying in the water, like the arms of beautiful women, intertwining and holding each other; It is like the hair of the moon. "Orange shed guess.

We know that those songs are just words that come out of the jerky voices. But when they have passed the breeze of the summer night and the swaying of the water, they have whispered to our ears, and they are not only their songs, but also the whispers of the breeze and the river. So we had to be provoked, shocked, and sunk in this song.

In the fifth paragraph, the author is intoxicated by the sound of the rocks, the moonlight, the color of the water, the lights, and the beautiful scenery on the shore. This paragraph is to pave the way for the contradictions that will arise later.

From the next paragraph, the author returns from the dream to reality, which is a big twist.

Poetic and picturesque, the artistic conception is far away, like a dream. The author also feels the clash of old and new cultures.

The central idea of "Qinhuai River in the Sound of Oars and Lights and Shadows" is to show a memorable image of the Qinhuai River in the sound of oars and lights. ）

FYI.

I prefer Mr. Zhu Ziqing's article, which is more delicate and delicate in comparison, and I feel refreshing to read. However, as the landlord said, "Wen has no first source to endure hunger", the two articles are really two styles, Zhu Ziqing is sweet hail and returns to pure like tea, but Yu Wen is clear as wine; One is like Yan Zhenqing's regular script, strict and gentle, and he is a humble gentleman, but the other is like Liu Gongquan, and his talent is overflowing on paper. In addition to these two articles, at that time, the scene of holding a boat with a leaf, carrying a pot of tea, accompanied by a water wave of a vein, sitting opposite friends, and appreciating the songs, is really desirable to think about.

The Qinhuai River is like a poem, a picture, and a dream in the author's pen. The bizarre "seven-board" boat is enough to make people meditate; The gentle and fragrant green water seems to be condensed by the gold dust of the Six Dynasties; The ethereal singing voice seems to be the whisper of the breeze and the river. Seeing magic in the plain, meaning eternal, there is the artistic conception of poetry, the realm of painting, as the so-called painting in the text, there is text in the painting.

In general, the article "Qinhuai River in the Sound of Oars and Lights" clearly reflects the cautious and meticulous characteristics of Zhu Ziqing's prose. When depicting the scenery of the Qinhuai River, the natural scenery, historical images, and real emotions are integrated, filled with a sincere, deep and delicate feeling, giving people a feeling of nostalgia and nostalgia. "Qinhuai River in the Sound of Oars and Lights" shows a memorable image of the Qinhuai River in the sound of oars and lights.