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1. Period of appearance:
Impressionism, also known as Impressionism, also known as "Exterior Lighting", arose in France in the 60s of the 19th century. "Neo-Impressionism"The term was used by the theorist Felix of this school.
Feneron was scattered in Bru in 1884.
The art magazine Modern Painting was first used in Post-Impressionism.
It is a phenomenon of art that existed in the 80s and 90s of the 19th century after Impressionism. When Impressionist painting was in its infancy, Neo-Impressionism gradually emerged in this group, which in turn led to the birth of Post-Impressionism.
2. Creative features:
Impressionism emphasized people's feelings and impressions of the light and shadow of external objects, opposed the old-fashioned approach in creative techniques, and advocated artistic innovation.
The technical basis of Neo-Impressionism is Divisionism, also known as Pointillism, which uses different pure color dots or small pieces of strongly contrasting impressionist works as a scientific juxtaposition, so that the audience can obtain mixed color effects from a certain distance;
Post-Impressionism was not satisfied with the rigid and one-sided pursuit of light and color, emphasizing that the works should express the artist's emotions, and began to experiment with the expressiveness of color and form.
3. Performance content:
Impressionism is the expression of subjectivized objective things; Neo-Impressionism represented purely objective objects, which restricted the painter's emotional communication; The post-impressionist expressions took the form and color of painting to the extreme, almost without any regard for it.
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Impressionism, a literary and artistic trend and genre popular in Europe in the late 19th and early 20th centuries, is based on aestheticism and naturalism. It was first produced in the French art world in the 70s of the 19th century, and was named after a painting by the painter Monet, "Sunrise Impression". Later, it quickly expanded to other artistic fields such as **, literature, etc.
Impressionist artists often only rely on subjective observation of reality and fickle feelings or momentary feelings to create works, denying the connection between things and refining and processing them logically or rationally, and opposing the use of symbolism to express ideas. Impressionist works are full of subtlety, obscurity, and ambiguity in both content and form, suggesting a certain fatalistic force to play tricks on people. At the beginning of the 20th century, there were different styles of variants such as the "psychological impressionism" of the Goncourt brothers, the exoticism of Stiessenson and Conrad, and the mysterious forces of nature, which later became an independent creative method, heralding the emergence of stream-of-consciousness literature.
His major works include Schnitzler's one-act plays The Parrot and The Puppet.
History of Theatre in the Second World.
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1. Impressionism in literature is a highly individualized writing technique, which reflects the writer's personal temperament. Impressionism emphasizes the feeling and impression of the light and shadow of external objects, and opposes conformism in its creative techniques, advocating artistic innovation.
2. In terms of painting skills, I studied the light and color of impressionism and the method of using external light to describe objects, and also realized that the cause of color light is because of the change of color, and the change of color will also change with the observation position, different light states and the influence of the environment.
3. The depiction of the natural scene of Lina is the focus of Impressionism, which will make this moment eternal and apply scientific principles to painting. The observation of Impressionism is a subtle style of painting that allows us to directly feel the changes in color, and it has a profound influence on modern art in the future.
4. Impressionist literature and symbolist literature have similarities, both belong to the literary genre of formalism, but the difference is that impressionism is opposed to the use of symbolism to express ideas, and is more inclined to describe our feelings.
Romanticism is self-centered, and its response to reality is relatively real, but expressionism is generally more exaggerated, and sometimes there will be deformed aesthetics or reactions, which are related to the social environment at the time, and they will show their loneliness, depression, fear, despair and so on in their works.
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