In the Ming and Qing dynasties, which chair was reserved for military attach s

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The classical furniture of the Ming Dynasty is the peak and representative of China's classical furniture, as a designer, it is necessary to have a clear understanding of the types and characteristics of the furniture of the Ming Dynasty.

1.Stool. A stool is a chair without a back. There are two kinds of waist and non-waist, the legs of the waist are mostly square materials, the legs and feet are turned inward or valgus horseshoe-shaped, the stool legs that are not tied are round and square, and the legs and feet are linear.

2.Bar stool. A long, narrow stool.

3.Spring stool. The spring stool is relatively large, can lie down a person, a kind of stool for two people to sit on, in ancient times, the folk used as a marriage daughter, put the futon on it, paste the wedding flowers, and ask someone to carry the dowry furniture sent into the husband's house.

4.Backrest chair.

The shape of the backrest chair is characterized by the absence of armrests on the backrest, and the backrest does not come out of the head.

5.Lamp hanging chairs.

The lamp hanging chair is a style of the backrest chair, which is picked out at both ends of the brain, and is named because it looks like a bamboo lamp hanging on the stove wall in the south to support the oil lamp.

6.Rose chair.

It is one of the smaller chairs among all kinds, with a single thin material and a small and beautiful shape.

7.Comb back chair.

Shaped like a wooden comb, hence the name "comb back chair", whether it is a back chair or an armchair, the back of the comb chair is embedded with a mullion perpendicular to the seat surface. It is more comfortable to sit on.

8.Nanguan hat chair.

The Nanguan hat chair is one of the representative works of Han Ming-style furniture, which is characterized by armrests and head-mounted head-scratching and downward-bending fangs.

9.Four-out officer's hat chair.

The four-headed official hat chair is a kind of Han chair-style furniture with a head and armrests poking out of the head, and its shape is named after the hat of the ancient **, which is a symbol of furniture grade.

10.Chairs.

The chair is named because of the cross shape of the lower body of the chair. The chair is a symbol of status, and the types are divided into straight-backed chairs and curved-backed chairs. The chair is the predecessor of the circle chair.

11.Circle chairs.

The most obvious feature of the circle chair is that the back of the circle is attached to the armrest, which runs down from high to low.

Ming Dynasty chairs have a simple and smooth curved shape: the details are as follows.

The circle chair was developed from the chair. The back of the chair rim and the armrests go down smoothly, and when you sit, your elbows and arms are supported together, which is very comfortable and popular with people. Later, it gradually developed into a circle chair for indoor use.

It is different from the chair in that it does not use crossed legs, but uses four legs and is covered with wooden planks, which is not much different from the chassis of ordinary chairs. It's just that the part above the chair still retains the shape of the chair. Most of these chairs are arranged in pairs, and there are not many of them alone.

Because the rim of the circle chair is curved, it is more coordinated with round materials. Most of the circle chairs are made of light elements, and only a simple set of ornaments are embossed in the center of the back panel, but they are all shallow. The back panels are made into an "S" shaped curve, which is made according to the curve of the human vertebrae, which is a typical example of the scientificity of Ming-style furniture.

In the middle and late Ming Dynasty, some chair circles carved a group of patterns outside the cloud head at the end armrest, which not only beautified the furniture, but also played a role in special reinforcement. In the Ming Dynasty, people highly respected this chair style, so it was called "Taishi Chair" at that time. There is also a kind of circle chair with a backrest that rises above the seat and rolls back slightly to accommodate the brain.

There are also circles that extend from the back panel to the sides behind the side posts, but do not extend down. The result is a half-circle chair without armrests, which has a strange shape and can be described as fresh and chic.

The circle chair is the most classic production of furniture in the Ming Dynasty. Ming Dynasty circle chair, simple and elegant shape, simple and smooth lines, production skills to reach the state of pure fire, "the sky is round" is a typical cosmology in Chinese culture, not only the architecture is influenced by it, but also integrated into the design of furniture. The circle chair is a combination of square and circle, the upper circle is lower, the circle is the main theme, the circle is harmony, and the circle symbolizes happiness; Fang is steady, quiet and far-reaching, and the circle chair perfectly embodies this concept.

From an aesthetic point of view, the circle chair in the Ming Dynasty has beautiful shapes and lines, which is similar to the art of calligraphy, and has the technique of Chinese freehand painting, and the visual effect produced by abstract beauty is very in line with the aesthetic point of view of modern people. The combination of the three degrees of the armrests and the back, the curvature of the chair, and the height of the seat are coordinated to build a perfect space for artistic imagination.

1. The special objects of the court, showing authority and gifts;

2. It is a symbol of "auspiciousness, ruyi (jade)";

3. Beds and chairs are placed on them, which are a kind of rich and graceful decoration and furnishings;

First, the variety is rich, the style is changeable, and the pursuit of kit kat is pursued.

Second, the selection of materials is exquisite, and the workmanship is meticulous. In terms of material selection, Qing-style furniture advocates precious hardwoods with deep color, dense texture and fine texture, and red sandalwood is the first choice. In terms of structural production, in order to ensure the consistency of appearance color and texture, and also to be strong and reliable, one wood is often used for continuous work, rather than small wood splicing.

Third, pay attention to decoration and use a variety of techniques. The most decorative techniques used in Qing style furniture are carving and inlay, the knife work is meticulous, the pattern is renovated, and it is ever-changing.

Fourth, the influence of the West is mixed.

Qing style furniture takes the opposite path and Ming style furniture, from the emphasis on demeanor to heavy form, in the pursuit of novelty to cumbersome, in the pursuit of luxury and to luxury.

During the Ming and Qing dynasties, it was a long time between ancient and modern times. The material of the chair they use. Generally local.

Wood or planted wood, mahogany, fir, cypress. Or huanghuali and jujube juice are used more to call the difference, and there are many antique collectibles circulating in the market now. Of course, the value is already inconsiderable, the most used in the Ming and Qing Dynasty chair materials is still sour jujube juice and Huang Huan, of course, these are only the rich and noble people can afford to use, ordinary people are also used in ordinary miscellaneous wood and wood made of furniture.

In ancient times, there was no chair on the ground, and the "chair" was originally a wooden name.

According to literary records, the name of the chair was first seen in the Tang Dynasty, and the image of the chair can be traced back to the Hu bed that was introduced to the north during the Han and Wei dynasties.

During the Northern and Southern Dynasties, chairs and stools were commonly used in the travel posture of noble families. Although the seat at that time had the shape of a chair and a stool, because there was no title of chair or stool at that time, people were still accustomed to calling it "Hu bed", which was often used for sitting meditation in the temple, so it was also called a meditation bed. After the Tang Dynasty, the use of chairs gradually increased, and the name of the chair was also widely used, so it was separated from the category of beds.

Later chairs, in the form of a fence on a four-legged platform, were inspired by the fence next to the car, and the name of the chair was called "chair".

From the Five Dynasties to the Song Dynasty, high-type seats were unprecedentedly popular, and the forms of chairs also increased, such as backrest chairs, armchairs, and circle chairs. At the same time, according to the different levels of dignity and inferiority, the shape and function of the chair are also different.

The chairs of the Ming Dynasty are divided into two kinds of waist and non-waist, the legs of the waist are mainly made of square materials, the legs and feet are turned inside or turned out horseshoe-shaped, the stool legs that are not tied are round and square, and the legs and feet are straight. It is mainly concise in shape, mainly based on lines, and strict proportional relationships.