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In recent years, with the continuous development of society, people have become more and more aware of how to improve their spiritual and cultural accomplishments, so there have been a lot of film and television works in China in recent years. But more does not mean good, some directors shoot a work because they have feelings and strength, while others want to make money and become famous.
It is not a simple thing to become a good director, and we all know that a good work involves a lot of convenience. You have to have a good book, good photography and editing, and you need the cooperation and acting of good actors.
The director who is responsible for the overall planning, you are the core of the whole film, what kind of work you want to make, what the style is, how the actors interpret it, these all need to be grasped by you.
We all know that the three most famous male directors in the entertainment industry are Zhang Yimou, Chen Kaige and Feng Xiaogang. These three people can be said to be the troika of Chinese films, they lead the direction of Chinese films, and they are also a driving force and standard.
An excellent director has to have his own style, you can't be a wall grass, you can shoot whatever is popular, so you can only achieve nothing, and the work is not worth the public to go to ** and appreciate.
For example, Zhang Yimou, he was originally a photographer, so he is very sensitive to the composition and color of the whole film, and Zhang Yimou's films are mostly red. Feng Xiaogang photographs the lives of ordinary people in society a lot, and the content of his works is also humorous and satirical. And Chen Kaige is more about thinking about the humanistic spirit, and his works are relatively thick and intriguing.
As a good director, you have a lot to learn. Like photography and videography, screenwriting, acting, all kinds of literary and artistic knowledge, you must have an understanding of the appreciation of domestic and foreign films. You have to have your own aesthetic standards, and this standard must be high, if you can't improve your own aesthetic level, then how can the resulting works withstand public criticism.
In fact, while having solid basic skills, you must also have your own unique vision and creativity. Be able to see problems that others can't see, ideas that others can't think of. You can't always follow the old path that others have taken, and you must have the ability to come up with your own works.
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I think a good director must have his own opinions and his own thoughts. And this kind of thinking and opinion must be avant-garde and able to keep up with the trend of the times, an excellent director is very important for a crew.
First and foremost, keep creating. Because only by constantly creating new things can you keep up with the trend of the times, gain the recognition of the audience, and win the love of the public.
If you have been sticking to the old ways, then there will be no more people to read the ** you derived, the second point, you must not plagiarize. A good director will not change anything original, he will use his own story to cheapen his own script.
In this way, the film directed will have spirituality, and it is a work that really belongs to you, and the third point is to learn to choose actors. Because what you write is to be performed by people, actors are very important to them, and only good actors can show their connotations more accurately.
Fourth, we need to take a long-term view. Only if you have a long-term vision and a longer horizon, you will have a better understanding of the future trend and a more accurate understanding of the situation in this industry.
Therefore, if you want to be a good director, you must adhere to the above views, and only if you adhere to these can you become an excellent director.
And an excellent director must learn to communicate, and his communication skills are also very good, because when performing, communication between the director and the actor is indispensable, only if your expression and language skills are good, tell him the feeling you want the actor to perform, and he can make your work more spiritual after he understands.
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I'm not an actor, I'm not a director, but I can give you some advice from an audience perspective and tell you what kind of good work we want to see.
First of all, what we want to see is the ups and downs of the plot, and we don't need to see the poor performance of the actors in acting, everything is going with the flow, what we want to see is the most natural and sincere state.
This requires you to choose actors well, I have been watching the show "The Birth of an Actor" recently, for Zhang Ziyi's performance, I really have to say that I admire her acting skills too much, which makes people feel that she is not acting, but putting herself in that position, she is the image in the script.
In the same script and the same play, it can be seen that sometimes there is really a world of difference between her and her opponents, which is the visual impact and spiritual shock brought by a good actor.
Secondly, everyone wants the world to be a better place in their hearts. Just like youth films, they should have the true color of youth, unlike in previous years, some clips such as abortion fights that do not conform to our current life should not be mixed in the movie.
Therefore, the most impressive youth films during that time were "Those Years" and "The Little Thing of First Love", the youth in it, the ignorance in it, left a deep impression on us.
This requires our screenwriters not to be too much, artistic life and higher than life, but can not be separated from life, blindly adapted, adapted for the sake of adaptation, such works make people feel very embarrassed, and the most touching is often the fragment that can resonate with people.
Finally, don't pay attention to the big production, what we want is not tall, not gorgeous and rich, what we want is really that kind of shock, the shock of the province, can only leave a temporary memory, but the inner shock, can make us forget for a long time.
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I think we must learn more, master a certain amount of shooting knowledge, and of course, more importantly, find good actors, good actors will make excellent directors.
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I think that the first thing to do is to have excellent management ideas, and at the same time, to have a wealth of film and television knowledge, so that you can become a qualified director.
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First of all, you must be able to film, edit, and choose actors. And in the process of filming, he can point out the mistakes of the actors.
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I really admire you, I don't have a foundation, I want to be famous, but I am very ambitious, first of all, you have to be a professional class, for example, Nortel, Chinese opera, upper drama, preferably Nortel, gaseous ones have no gold content! You have to take the college entrance examination, and when you really enter this industry, you will find how cruel the competition is! Studying abroad is also a good choice, UCLA, NYU are good choices, but you still have to take the test, you will learn a lot in a circle, I also learn this, I hope to make progress together and realize my dreams!
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The director's workflow: study the script, find the appropriate form of expression for the script, organize the main creative staff to analyze and study the script, and reach a unified understanding and thought; The assistant director will conduct a preliminary selection of the actors, and the director will personally review and approve them; Discuss and explain the script to the film crew to achieve a unified understanding; The scenery is selected according to the script, and the scenery can provide a powerful modeling environment for the activities of the characters and the development of the plot; Create storyboards for on-set filming and blueprints.
Questions. How can ordinary people be?
1.Learn the jargon. Before you apply for a job or start working on a local project, you want to make sure you can keep up with the conversation about film and production.
Take the time to do some research online to build your knowledge of the language of the film industry. 2.Learn about film and television production.
If you're pursuing a career in crafting, you probably already have some understanding of it. However, before you start getting into networking or freelancing, you should learn some technical skills, software, or general knowledge in case you need it. If you're planning to apply for a production job, research how production varies from project to project and studio depending on size and budget.
Learn about the different types of production roles at the same time. Some roles in the production revolve around creative issues, while others involve managing a team or keeping a project's budget. It's also going to be worth learning about how a film gets the overall process of production, and how the production fits into the overall picture.
3.Consider studying in a film or production school. If you can consider going to school, or want to qualify as much as possible before applying for a job or providing production services, you can study at a film school.
Film school can teach you everything related to production and the film industry. After your education, you will not only gain knowledge, but also prove your skills with projects.
4.Find out what's going on in your area. If you're planning to apply for a production position, research and find companies, studios, or projects in your city or city.
Hollywood isn't the only major film hub, there are plenty of other places where great film work is done, both nationally and internationally. If you're planning to do freelance work, try to understand the demand for production jobs in your area. Try to see which areas are in the most demand.
Questions. Thank you.
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First of all, be a good screenwriter. It's been a choreographer and director all these years. The most important thing in the screenplay is to make the story suspenseful, and secondly, you must know how to act, because the director has to tell the actors, and then you must understand lighting, cinematography and ......You have to understand it all!
Don't think that the director is just a person who shouts "card" and "action" on a recliner all day long, he must fully understand that all the expressions of the whole movie are in the service of his will.
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The basic qualities that a director should possess.
1. Clear oral expression and good written expression, clear thinking, strict logic of the meaning of expression, (the speed of speech can not be too fast, the accent can not be too heavy) The literary accomplishment reflects the director's artistic accomplishment to a certain extent.
2. Good psychological endurance, (calmly face professional pressure).
3. Independent judgment ability (independence and unique opinions in artistic creation).
4. The ability to feel art (have a keen sense of sensibility and be able to express this feeling clearly in words).
5. Meticulous life feeling ability (good at observing life, loving life, sensitive to life).
6. Figurative thinking ability (not only abstract concept description, but also vivid imagery).
7. The ability to structure a story (tell a story with a visual approach).
Due to the special status and heavy responsibilities of directors, it is necessary to pay attention to the improvement of their own quality in studying and cultivating directors. It is mainly manifested in the following three aspects:
1.Be a little spiritual.
Spirituality mainly refers to the feeling of being good in art. Sensation is the most direct mental process and is the basis for the formation of various complex mental processes. The treatment of art often does not go through rational analysis, but makes judgments through intuition to obtain the desired effect.
It is often said that "go with the feeling" is because what you feel is the freshest, most enticing, and can often bring people into a good situation.
2.Be a little savvy.
Perception mainly refers to the sensitivity to new things in life. Through the observation and experience of life, we can deeply understand and understand life, and discover and realize the philosophical level that is not easy for ordinary people to discover and realize. Add things that the director has poor understanding, have not yet realized, or things that are very shallow, how can the audience understand or understand deeply.
Therefore, the director's perception is not good, which will inevitably affect the profundity of the connotation of the work.
3.Be a little tough.
Resilience mainly refers to perseverance and perseverance. It has been said that in order for a writer to produce a work, he must overcome his inertia, laziness and indulgence. And if a director wants to produce a work, he must not only fight with himself and overcome his own weaknesses, but also fight with others, and everyone will work together to overcome difficulties.
I personally think that the above qualities can be cultivated, as long as you work hard. "Cinema can be learned," said Amedów.
You can also check the webpage of Nortel or China Opera on the Internet, and you may have a reward.
Although I think it is very difficult to take the director's exam, if you don't give up and persevere to the end, I believe that there will be a successful day. Really, if time could be reversed, I would definitely choose to take the directing department, and being a director is much more enjoyable than being an actor.
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Emotionally, the director must be emotional, and there is a part of the talent factor that can understand and grasp the various elements of emotions in life, so that his work has a shocking emotional strength.
First of all, it is necessary to have a fairly high literary accomplishment, if you have not read a considerable number of Chinese and foreign world classics and humanities and history, and have a deep understanding of life and society, it is absolutely impossible to become a real great director.
Secondly, it is necessary to have the foundation of directing, the knowledge of the introduction of directing, and know the structural distribution of the contradictions in the composition of the drama. There are also three major disciplines, art, and table rolling, if you don't understand how to talk to **art and ** design, stage art design and even lighting, costume and makeup, and guide them to complete the unified art form of the whole play.
Including script selection, character setting, set props, actor performance, shooting and editing, to the final post-production publicity and broadcast, each of these links requires the director's meticulous control and participation.
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