Excellent calligraphy works in regular script, classic calligraphy works

Su Shi, a great writer in the Northern Song Dynasty, wrote two "Red Cliff Fu".

Later generations called it "Former Chibi Fu" and "Later Chibi Fu", both of which are famous passages in the history of ancient Chinese literature, and they are also famous calligraphy works.

In the autumn and winter of 1082, when Su Shi was demoted to the deputy envoy of the regiment training in Huangzhou (now Huanggang, Hubei), he visited the Chibi near Huangzhou twice and wrote these two fu.

His front and back chibi fu reflect the thoughts and emotions of this time. Yan Zhenqing's calligraphy ink "Manuscript of the Sacrifice of Nephews", the full name of "Sacrifice of Nephews to Praise Doctor Ji Mingwen". Original on paper, centimeter long. Horizontal centimeters, a total of 234 words (there are more than 30 scribble words).

Classic calligraphy works include:1, Lanting Preface - Wang Xizhi.

2, Mid-Autumn Festival post - Wang Xianzhi.

3. Yan Zhenqing's calligraphy - "Duobao Pagoda Tablet".

4, the book of "three uniques" - Zhang Xu.

5, Zheng Banqiao's book - "Man Jianghong".

6, "Falling Flowers Poems" - Tang Bohu.

7, "Qin Fang Poems" - Song Huizong.

8. Qin stone carving - Li Si.

9. The Monument of the Holy Religion of the Wild Goose Pagoda - Chu Suiliang.

The calligraphy works of regular script brush include: "Jiucheng Palace Liquan Ming", "Huadu Temple Tablet", "Wild Goose Pagoda Holy Order" and so on. "Jiucheng Palace Liquan Ming" is a regular script calligraphy work written by Wei Zheng in the sixth year of Tang Zhenguan and composed by calligrapher Ouyang Xunshudan.

Huadu Temple Tablet", the full name is "Huadu Temple Former Monk Yong Zen Master Relic Pagoda Ming", referred to as "Yong Zen Master Tower Ming", also known as "Qingluan White Crane Post". Tang Li Baiyao wrote an article, engraved in November of the fifth year of Zhenguan.

Requirements for regular script calligraphy works:

1. The overall sense of regular script is first of all neat, and the arrangement form of Minyu characters is equidistant between words and lines, giving people a stable and solemn visual effect. This form is best suited for regular script in the strict sense of the word. The width and narrowness of the knot, the different lengths of the shape produce local uneven changes, so that the neat and uniform but not rigid and rigid regular script will not appear to be harmonious or monotonous.

2. Horizontal and vertical is the basic requirement of the writing enlightenment teacher for Mengtong. For them, just learn to write, there is no norm at all, in order to get on the right track, you must write the words upright, so when writing horizontally to be flat, when writing vertically to be straight, in order to be able to be horizontally and straight, flat and stable.

3. From the point of view of calligraphy art, this is precisely anti-art, if you practice according to this requirement, you will form a stubborn mindset in the concept, and form a dynamic stereotype in the action, which is quite difficult to change.

4. Judging the quality of calligraphy works is mainly based on the lines, fluency, and integrity of the font. Calligraphy refers to the method and rules of writing Chinese characters with a brush. Including pen holding, pen movement, dot painting, structure, layout, etc.

5. The pen refers to the real palm, and the five fingers work together; The center of the pen is paved; The dot painting means that the brush follows, and the runchu is the same; The structure is in the shape of a word, echoing each other; The distribution is intricate, the density is appropriate, the virtual and the real are born together, and the whole chapter is coherent; Literacy ancient and modern, big and small, rather high than low.

Regular script, also known as the main book or true book, evolved from the official script of the Han Dynasty, and then went through the evolution and development of the three series of Jin Kai, Wei Kai and Zhongtang Kaishu, shaping the peak of regular script. What I bring to you below is the appreciation of regular calligraphy works, I hope you like it.

Appreciation of regular calligraphy works**1

Appreciation of regular calligraphy works**2

Appreciation of regular calligraphy works**3

Appreciation of regular calligraphy works**4

Appreciation of regular calligraphy works**5

The structure of regular script should be calm

Different calligraphy font structures have different writing requirements and stylistic characteristics. For the appreciation of regular script calligraphy, its rhythm and speed of pen movement are more emphasized than other calligraphy styles, and the steadiness and slowness of its structure are emphasized. This is also a problem that needs to be carefully grasped when appreciating regular calligraphy.

Regular script is one of the most popular calligraphy fonts in China's feudal society. It is developed and evolved on the basis of Han Li, and its knots have the characteristics of square and rigorous, dignified and generous, so it has gradually become the mainstream font of Chinese calligraphy. The appreciation of regular script calligraphy mainly emphasizes the steadiness and slowness of the rhythm of pen movement.

Regular script is a square shape, a point of painting, a meticulous square word, the speed of the pen process, the rhythm is relatively slow, requiring every point of painting to be collected, dot painting in place, clear explanation. Variations of the same stroke also require variation, but this variation is less powerful and does not affect the change in speed and rhythm.

For example, "point" is basically "side", and its variants are mostly changes in direction. Such as the upper point, the lower point, the left point, the right point, the upper left point, the upper right point, the lower left point, the lower right point, etc., the pen movement is mainly composed and powerful, and the speed is slow and the rhythm is slow. "Horizontal" is mainly flat, and "Yongzi Eight Laws" is called "Le", which is in terms of the speed of moving the pen, which means that the horizontal stroke of the pen should be the same as the horse that wants to run forward, and the reins of the horse are not allowed to go quickly.

Yongzi Eight Methods" also called the long skimming as "sweeping", the short skimming as "pecking", but also based on the regular calligraphy appreciation of the speed and rhythm of the pen, which means that writing long skimming should be like combing long hair with a comb, with uniform force and soothing speed; Writing short strokes should be like birds eating food, and the speed of moving the pen should be relatively fast and powerful. As for the writing method of "捺", the "Yongzi Eight Methods" is called "磔", which emphasizes the calm and slow side of this stroke, which means that writing should be like cutting meat with a knife, and it should contain a deep internal force.

For the study of regular calligraphy, you may wish to start with copying. There are many famous regular script calligraphers in the history of our country, and gradually formed the "four masters" of regular script in the civilized world - European style, Yan style, Zhao style, and Liu style. To learn regular calligraphy, you can learn more from these famous calligraphy fonts, taste, look for experience and inspiration, so that when you appreciate regular calligraphy, you can do it with ink, and only by understanding the formal beauty of regular calligraphy, can you be more targeted in future practice, and can gradually understand the essence of regular calligraphy.

"Jiucheng Palace Liquan Inscription", "Huadu Temple Tablet", "Wild Goose Pagoda Holy Order", "Duobao Pagoda Tablet", "Mysterious Tower Tablet" and so on.

1, "Jiucheng Palace Liquan Ming".

Jiucheng Palace Liquan Ming is a regular script calligraphy work written by Wei Zheng in the sixth year of Tang Zhenguan (632) and composed by calligrapher Ouyang Xunshudan (the inscription cannot be examined). It is now stored in the Linyou County Museum in Shaanxi.

2. "Huadu Temple Tablet".

The full name of the Huadu Temple Tablet is "The Ancient Monk Yong Zen Master Relic Pagoda of Huadu Temple". It was established in the fifth year of Tang Zhenguan. Ouyang inquiry. The pen is thin and strong, the knot is slender and slender, and the law is strict. The work of this stele mold is not within the reach of later generations, so it is called the extreme rule of the law.

3. "The Holy Order of the Wild Goose Pagoda".

The Holy Order of the Wild Goose Pagoda, also known as the Holy Order of the Temple of Mercy and Grace, is a famous inscription work in the history of the Book Burial Wandering Bird Law, and a representative work of Chu Suiliang in the Tang Dynasty.

Tang Gaozong Yonghui four years (AD 653) standing stone, where two stones, two steles are respectively inlaid in the two brick niches on both sides of the South Gate of the Big Wild Goose Pagoda, the two steles are symmetrical to each other, the two steles are symmetrical to each other, the two steles are 1463 words in total.

4. "Duobao Pagoda Tablet".

The full name of the Duobao Pagoda Tablet is "Tang Xijing Qianfu Temple Duobao Pagoda Induction Tablet", which is the eleventh year of Tang Tianbao (752 years) Zhenye was written by the literati Cen Xun at that time, the calligrapher Xu Hao inscribed, the calligrapher Yan Zhenqing Shudan, and the stele carver Shi Hua carved the stone, which is a regular script calligraphy work. It is now preserved in the second room of the Forest of Steles in Xi'an.

5, "Mysterious Tower Tablet".

Mysterious Tower Tablet", the full name of "Tang Dynasty Zuo Street Monk Record Worship Three Religions Talk About Driving the Great De Anguo Temple on the Throne of the Purple Dada Master Mystery Tower Inscription and Preface", is the first year of Tang Huichang (841) by the then Prime Minister Pei Xiu wrote, calligrapher Liu Gongquan Shudan, for the regular script calligraphy works. It is now preserved in the second room of the Good Morning Stele Forest in West Bend.

The regular calligraphy works include Wen Zhengming's Qin Fu, Zhong Shaojing's Lingling Feijing and Yan Zhenqing's Duobao Pagoda Tablet and other works. The dot painting of regular script is independent of each dot painting, there is no hook between the end of the last stroke and the head of the next stroke, do not look at each other, and the suspicion is that it is even subordinate, the regular script is not like the line of cursive script, the side of the momentum is indulgent, the length of the dot painting is thick, and the rest of the fine change is not much.

Features of regular scriptThe regular script is evolved from the official book, and its main feature is to break the silkworm head swallowtail of the official book, and become horizontal and vertical, it has the shape of the square, the strokes are straight, and the characteristics of the model can be used, because the regular script is fair and easy to learn, the regular script has been loved by more people, and the regular script is classified from the point of view.

From the evolution of the book style, it can be divided into Wei tablet, Tang Kai, Song Kai, Qing Kai, etc., in the history of regular script, people are most respected in the Tang Dynasty regular script, because the Tang Dynasty regular script is known for the law of writing, whether it is penmanship dot painting or glyphs, the Tang Dynasty regular script has established the most precious and noble regular script foundation, and has established outstanding contributions to the learning and application of later generations.

The famous works in regular script are as follows:

1. The Eastern Jin Dynasty Wang Xian's "Luo Shen Fu Thirteen Lines" is referred to as "Luo Shen Fu", the representative work of the Eastern Jin Dynasty Wang Xian's regular script, the original ink is written on hemp paper, and the content is the famous article "Luo Shen Fu" by Cao Zhi, a famous writer of the Three Kingdoms. This work Wang Xianzhi uses a straight and powerful pen, a beautiful style, and a spacious and stretched knot.

The strokes such as the apostrophe in the character are often stretched long but not frivolous, and the pen force transports the end of the stroke, which is strong and powerful, and the spirit is flying. The font is symmetrical and harmonious, and there are subtle and vivid changes in the combination of various parts, the size of the words is different, and the word spacing and line spacing change naturally.

2. Ouyang Xun in the Tang Dynasty "Jiucheng Palace Liquan Ming" in the Tang Dynasty "Jiucheng Palace Liquan Ming" is a regular script work written by Wei Zheng in the sixth year of Tang Zhenguan (632) and composed by calligrapher Ouyang Xunshudan, which narrates the origin of "Jiucheng Palace" and the majesty of its architecture, and praises the martial arts and cultural governance of Tang Taizong and the spirit of leniency and frugality.

This work is slender, the middle palace is tightened, the four sides are opened, the left is converging and the right is vertical, and the danger is turned into a disaster. The glyph is shaped with the potential, the left and right structures are contrary to each other, the upper and lower structures are narrow and wide, the frame is open and stable, and the weather is solemn. Its cloth is white and even, the word spacing, the line spacing is sparse, it is the most accurate of the nine palaces, the blood of the whole monument is carefully changed, and the rhyme is gloomy.

3. Yu Shinan of the Tang Dynasty "Confucius Temple Tablet" Yu Shinan "Confucius Temple Chongchun Tablet", engraved in the ninth year of Tang Wude (626 AD). Written by Yu Shinan. It is an outstanding work in the inscription of the early Tang Dynasty, and it is also recognized by the golden stone scholars and calligraphers of the past dynasties.

This monument is to record the ninth year of Gaozu Wude (626) to seal the 33rd grandson of Kongqiu, Kong Delun, to praise the holy marquis and rebuild the Confucian temple to erect. It was engraved in the seventh year of Zhenguan (633), and there is no date of writing.