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Anonymous users2024-02-15Among the basic movement elements of Chinese dance body rhyme, Shen Yun is an extremely important concept. God refers to connotation, radiance, rhythm, and temperament. Any art can be said to have no soul if it has no charm.
In terms of the movement of the human body in classical dance, Shen Yun can be recognized and felt. Moreover, it is precisely by grasping the "god" and "form" that there is vitality and can we appreciate the true artistic conception contained in dance. "Heart, mind, and qi" is the embodiment of "Shen Yun".
In the concept of the mind, the emphasis is on the connotation of qi, breath, and mind. It can be said that without rhyme, there will be no classical Chinese dance. Without the stimulation and drive of inner emotions, the most important brilliance of classical Chinese dance will be lost.
It is often said that "the eyes are the windows of the soul, and the eyes are the tools for conveying the spirit", and the "gathering, release, condensing, closing and closing" of the eyes does not refer to the movement of the eyes themselves, but is precisely the result of being governed by the connotation and the rhythm of the mind, which shows that Shen Yun is the dominant one. "The form has not moved, God has taken the lead, the form has stopped, and the god does not stop. This mantra vividly and accurately expresses the interrelationship and inner connection between form and God.
"Energetic" means to give the internal rhythm of the external action and the layered and contrasting dynamics processing. The rhythm of classical Chinese dance is not quite the same as the regular rhythm of 2 4, 3 4, 4 4 4. It is often carried out in a free and regular "elastic" rhythm that is soothing but not slow, tight but not chaotic, still in motion, and still in motion.
"Strength" is not only throughout the process of the action, but also very important at the end of the action. Whether it is opera, ballet, or martial arts routines, it attaches great importance to the instantaneous rhythm processing before the end of the action, and Chinese classical dance is no exception. "Contrasting strength" gives a strong reaction force to the body shape that is about to end, so as to strengthen and accentuate the final shape; "Divine energy" Everything has been completed, and the sense of extension with eyes and limbs makes it "the form has stopped and the spirit does not stop".
The word "law" encompasses the two meanings of the rhythm of the movement itself and the laws followed in the movement. Generally speaking, the action must be "smooth", this "shun" is the "right law" in the law, and the action seems to have a sense of flowing water and being done in one go through the "shun". The "anti-rhythm" of "if it doesn't go well, it will go well" is also unique to classical dance, which can produce a kaleidoscopic, confusing, and ever-changing dynamic sense of human movements.
It is these special laws that produce the special aesthetics of classical dance. Whether it is the homeopathic trend of one go and pushing the boat along the river, or the reverse fortune of the opposite, or "starting from the opposite side", it embodies the beauty of the circle, swimming, changing and changing of Chinese classical dance, which is the essence of Chinese "dance rhythm".
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Anonymous users2024-02-14Classical Chinese dance.
The dance is very rich, and its basic movements are highly sculptural. It's not just an expressive dance move.
It also makes jumping, spinning and turning techniques highly sculptural. Basic dance postures require a high degree of coordination of movements such as legs, torso, arms, head, and eyes (gaze). Therefore, the training of basic dance postures is actually a means of mastering classical dance styles.
Because one leg is often stationary and the other leg moves in the air to form various postures during basic dance training, the legs and upper body must have good control ability, so the dance posture can also be called control movements. This ability to control is one of the most important basic abilities in dance.
1. Lift the front legs, side legs, and hind legs (in situ, with tossing and turning, with semi-ring movement and full ring movement; or from one dance to another through tossing or half-toe standing to another).
2. Big goose shooting.
3. Golden Rooster is independent (in situ, with tossing and turning).
4. Kicking swallows (in situ, turning into sea exploration).
5. Exploring the sea (in situ, turning into kicking swallows).
6. Oblique exploration of the sea (in situ, with tossing and turning).
7. Lie down on your legs.
8. Soft kick swallow (female).
9. Hind leg sideways (in situ, with tossing).
10. Lift yourself to explore the sea (female, in situ, with tossing and turning).
11. Twist your body to explore the sea (male, in situ, with tossing and turning).
12, purple gold crown (female).
13. The eagle spreads its wings (male).
14. Shang lamb leg (male, in situ, with tossing).
15, Shang Lamb Leg Kicking Yan (male).
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Anonymous users2024-02-131 Leg pressing, kicking, horizontal fork, vertical fork, tearing fork, rolling fork, lower waist, shabu waist, leg lifting, face grabbing, small carp, tiger jump, big jump, sweeping, air fork, inverted kick purple crown, horizontal rotation, step turnover, front bridge, rear bridge, backward front axle, backward rear axle, these are basically the basic skills training that most dance types will have.
2 The basic skills of ballet physical training are: (Level 1).
Basic form of standing, basic form of opening, position of feet, hand shape, position of hands, handlebar exercises, mopping the floor, half squat, squat, five-position mopping, small kicks, circles, single leg squats, spring legs, control, calf circles, big kicks, half toes, intermediate exercises, frontal, head and shoulder movements, crossing, open, windward spread.
Wing dance, climbing, looking down, standing (front and back), shifting the center of gravity, single kick, swing dance step, five-position rotation, outward, inward, four-position rotation, small jump, five-position foot jump, displacement jump, sliding step, double up and double down, double up and down jump, double up and down jump, split leg jump, single leg jump, chase, stare at the ground, salute.
3 Basic skills related to Latin dance:
Turn, Groove, Walker, Kukraca, Square Step, Fixed Point Turn, 86 Steps, Circular Step, etc.
1. Flat transfer to the upper step (female).
2. Twisted leg jump (female). >>>More
1.Chinese:
Classical Chinese dance was founded in the fifties and was once called "opera dance" by some. It itself is a mixture between opera and dance, that is to say, it has not yet been closed and completely transformed from the opera, calling it opera, it has removed the most important singing and chanting in opera;Saying that it is a dance, it also maintains a lot of the original state of opera. Most of the dance movements that have been handed down are preserved in opera dances. >>>More
Ai Lian said address
Fan Dance Dancheong address >>>More
Classical dance. The body rhyme has the basic elements of punching, forming, leaning, shyness, sinking, containing, moving, and strength. Rushing is the rhythm of "diagonal movement" of the trunk on the basis of "lifting and sinking". >>>More
From its origin, classical dance is a revival of ancient dance, a revival of opera dance, and a revival of thousands of years of Chinese dance tradition. It is very obvious that its aesthetic principles are not a new invention, but the circulation and continuation of thousands of years of Chinese culture, which is a long line from ancient times to the present, these principles can be seen not only in opera, but also in the music and dance of the Tang and Song dynasties, in the "dance opera" of the Han and Wei dynasties, and even in the ritual music of the Shang and Zhou dynasties. In terms of its stream, it is a new art category generated in the native land, which is a new type of dance that can be compared with ballet and modern dance, and this derivative dance is an authentic Chinese product. >>>More