Why are carved beams and painted buildings also the essence of the beauty of Chinese architecture?

Carved beams and painted buildings, originally meant to carve patterns and add color painting on wooden structures such as beams, which is a kind of architectural art in ancient China. Later it also referred to the ornate painted decoration of the house.

One of the characteristic symbols of ancient Chinese architecture - carved beams and painted buildings.

China's ancient architecture has the harmonious beauty of the unity of nature and man, and the carved beams and paintings are magnificent and magnificent, reflecting the values of the Oriental people. More important is the respect for nature in ancient China. Most of China's ancient buildings are most decorated with wood carving, and there are different wood carving arts in different positions, and the carved beams and paintings are definitely one of the important symbols in ancient Chinese architecture.

The art of wood carving on a beam frame.

The beams in traditional wooden buildings are often exposed, and people will often decorate them with carvings and paintings in order to pursue the enjoyment of beauty, so as not to let them be exposed "plain to the sky". In this way, the building is endowed with a strong artistic vision and greatly enhances the sense of beauty.

The art of wood carving under the eaves.

Eaves refers to the eaves, the part of the roof that extends to the side. The structure under the eaves is complex, there are components such as bucket arches, forehead fangs, finches, and arches, which not only play a supporting role in the building, but also the main part used by craftsmen to carve and decorate.

Characteristics of ancient Chinese architecture - Queti.

Ancient Chinese architectural features - hanging flowers.

A characteristic symbol of ancient Chinese architecture.

The wood carving art on China's ancient buildings has experienced thousands of years of cultural baptism, and it is the most important symbol of our Chinese architecture that can witness the vicissitudes of history and culture of the Chinese nation.

The remainder.

As early as the Spring and Autumn Period, there are records of decorating buildings with Dan powder. During the Qin and Han dynasties, the pillars of the palace were painted with danqing, and there were danqing on the supports, beams, ceilings, etc. The decorative patterns are mostly dragon patterns and moire patterns, and later brocade patterns are gradually adopted.

During the Northern and Southern Dynasties, under the influence of Buddhist art, new architectural decorative patterns were produced. In the Tang Dynasty, the painting method of blending was often used, so that the color changed from shallow to deep or from deep and shallow, changing softly without a sense of stiffness, showing a tranquil and elegant style. The painting techniques of the Song Dynasty were more abundant, and the court architecture stipulated the system, specifications, pigments and patterns of painting, forming a set of stylized systems.

In the Ming and Qing dynasties, the development of color painting reached its peak. On the basis of inheriting the tradition, great progress has been made in terms of scale, variety, color, and technology.

<> the beauty of Chinese architecture lies not only in the richness of the pavilions and pavilions, but also in the details of the carved beams and paintings. From the white-walled and black-tiled Jiangnan dwellings to the magnificent palaces and majestic Great Wall, the diversity of categories presents different aspects of Chinese architectural culture. as a building"Air port"windows, as a building"face"The gate, as a pillar of loading, has also experienced thousands of years of vicissitudes, presenting the image of time and space and the intention of beauty in different eras.

The majestic Great Wall, the magnificent Forbidden City in Beijing, the beautiful and refined dwellings, the elusive towers, and the reinforced modern urban jungle constitute a charming image of time and space"Earth culture"The symphony of history and reality, turned into a glorious silhouette of the eastern horizon, has remarkable spiritual power.

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For the beauty of traditional Chinese architecture, the main thing is that the cornices of the four corners are upturned, and there will be a feeling of towering and floating, which looks very exaggerated and artistic, giving people a sense of magnificence.

I think the beauty is more harmonious, in fact, our traditional Chinese architecture is very symmetrical, giving people a very beautiful and natural feeling.

The beauty lies in the charm. And none of them are superfluous, each design has its own ideas and functions.

The second fold of Yuan Wangyi's "Strayed into the Peach Spring": "The glittering Beique Zhu Palace, Qi Zhen Zhen Biwa Zhu Yong, the wide and slender Luo Wei embroidered into a tree, and the beams and carved buildings were painted by Yu Weiwei. "x0d x0a [example]:

x0d x0a idiom source: the second fold of Yuan Wang Ziyi's "Mistaken into the Peach Spring": "The glittering shell Que Zhu Palace, Qi Zhen Zhen Biwa Zhu Yong, wide and slender Luo Wei embroidered into a tree, Yu Weiwei painted beams and carved buildings."

Carved beams and painted buildings, carving patterns on wooden structures such as beams and adding color paintings, is a kind of architectural art in ancient China. Later it also referred to luxurious architecture.

Pinyin】diāo liáng huà dòng

Vernacular interpretation: The brilliant White Sparrow Pearl Palace, rare blue tiles and pearlescent, embroidered with magnificence, painted with sorghum, carved with pillars, a very gorgeous house decorated with paintings.

Example sentence] 1. The five upper rooms on the front are all carved beams and painted buildings, and the wings of the verandah through the mountains on both sides are hung with all kinds of parrots, thrushes and other birds.

2. The Old Summer Palace is the garden of ten thousand gardens, with carved beams and beautiful buildings, which can be called a fairyland on earth.

The meaning of "carved beams and painted buildings" is: the gorgeous essence of decoration

to the house. carved beams and painted buildings", dao pronunciation: [special diāo liáng huà dòng].

The details are detailed interpretation].

1. Beam: a horizontal timber supporting the roof; Building: Largest beam;

2. Carving: carving; Painting: engraving, decoration. It refers to the ornate painted decoration of the house, which is often used to describe the magnificence of the building, and also refers to the very ornate house with painted decoration.

Usage] combined; as an object, a definite; Refers to the building is gorgeous.

1. On the promenade of more than 700 meters in Beijing's Summer Palace, there are carved beams and painted buildings, painted with people, flowers and plants, and landscapes, and thousands of paintings are not the same.

2. The ancient royal buildings are all carved beams and paintings, which makes people feel very luxurious.

3. Jiaxiu Building, which has precipitated hundreds of years of history, has carved beams and painted buildings, and the ancient charm has survived forever.

4. Those private villas are quite luxurious, and even the Chinese-style pavilions in the garden are carved beams and paintings.

5. Facing a beautiful brick carving, facing a carved beam and painting building, standing for a long time.

Dear, Hu Xiaoyan will help you answer and analyze, the following is the information sorted out for you, I hope it will help you! ~~

Kiss, the difference between the carved beam painting wall and the carved beam painting building: the carved beam painting refers to the magnificence of the entire architectural painting, and the carved beam painting column must be driven to attack the field chong simpler carved beam painting what does it mean "carved beam painting building" refers to the painted beams, describing the building ridge is beautiful and magnificent. He also painted beams and carved buildings.

It is mostly found in palaces, royal temples, famous Taoist temples, Buddhist halls, and exquisite forest garden buildings. The carving of paintings in palaces, temples, etc., why did the ancients "carve beams and paint buildings" Why did the ancients carve beams and paint buildings? The south likes to shoot and carve on the beams, that is, carved beams; The north likes to paint on the beams, that is, to paint the building.

In the preface to the Atlas of Chinese Architectural Paintings, Lin Huiyin said: "Originally, for practical purposes, in order to meet the actual needs of anti-corrosion and beetle on wooden structures, it was generally used to decorate the wooden structure with mineral raw materials such as Dan or Zhu, as well as black lacquer tung oil and other coatings; Later, it gradually became unified with the requirements of fine arts, became complex and rich, and became a unique method of Chinese architectural art." The carved wooden beam frame is the mainstream of the development of ancient buildings in China, and the main role of the beam frame is load-bearing.

Later, people carved and painted on the beams. The southern buildings are heavily carved (i.e., carved beams), and the northern buildings are multicolored (i.e., painted buildings). Now sort out some ** compare the carved beams of southern buildings with the color paintings of northern buildings, I hope you like it!

In order to increase the decorative effect of the beam workshop, this kind of carving is not limited to the two ends of the beam and develops to the center. In the exquisite ancestral halls and residences, some of them are carved at the bottom, and most of them are decorated with strips composed of back lines and plant flowers and leaves, which are carved in the middle and both ends of the bottom of the beam, making the components very eye-catching.

Chinese architectural color painting has different expressions from murals and sculptures, and has a unique art form and styleIn short, the carved beams and paintings are the cultural heritage of our country for thousands of years, representing the aesthetic taste of our country.

The Taoist building of Tayun Mountain is built according to the mountain, carved beams and painted buildings. The architecture is very unique. Here, every attraction has a magical legend; Every step of the way, you will encounter a beautiful story; Each stone tablet is engraved with the expression of rich years, and every classical statue is conveying a beautiful singing.

It can be seen that everything here seems to be divine and spiritual, injecting a deep cultural connotation into Taiyun Mountain. Definitely worth it!

Restricted by political, social, economic, building materials, technology and other factors, and influenced by architectural design ideas, views, artistic accomplishment and other factors, the architectural styles are very different. For example, in the history of foreign architecture, ancient Greece and Rome have representative architectural styles such as Doric, Ionian, and Collins; The Middle Ages had Gothic architecture; In the late Renaissance, there were Baroque and Rococo buildings, which used obsessive, strange techniques, elaborate and cumbersome. In ancient Chinese palace architecture, the plane is rigorous and symmetrical, the primary and secondary are distinct, and the brick wall and wooden beam frame structure, cornice, bucket arch, caisson and hanging beam flower hole constitute a unique Chinese architectural style.

The ancient city of Dali is the abbreviation of wild rain, also known as the sub-city, its history can be traced back to the Tianbao period of the Tang Dynasty, Yangzhou City (near the three towers in the west of the city) built by the Nanzhao King Ge Luofeng is its new capital. Now this ancient city was built in the fifteenth year of Hongwu in the Ming Dynasty (1382 AD). According to the literature, it was a "large-scale" building, with a radius of 12 miles, a wall 2 feet 5 inches high, a wall 2 feet thick, a gate in the east, west, north, and south, and a tower on the tower, which was called Cangshan Tonghai City, En, and Anyuan respectively.

No matter what kind of architectural school, it is inseparable from the meticulous carving of craftsmen over the years. It not only integrates the charm and beauty of ancient China, but also highlights China's unique prosperity with the original style of Chinese architecture.

MediumIt symbolizes the inheritance of Chinese culture and the celebration of thousands of years of history. The beauty of carved beams and painted buildings in Chinese architecture lies in its deep understanding of the charm of traditional Chinese architectural art, and the interpretation of Chinese aesthetic ideas, which is the manifestation of Chinese folk house culture. Why did the ancients carve beams and paint buildings?

Lin Huiyin said in the preface to the "Atlas of Chinese Architectural Paintings": "Originally, for practical purposes, in order to meet the actual needs of anti-corrosion and beetle on wooden structures, it was generally used to decorate the wooden structure with mineral raw materials such as Dan or Zhu, as well as black lacquer tung oil and other coatings; Later, it gradually became unified with the requirements of fine arts, became complex and rich, and became a unique method of Chinese architectural art."

Lin Huiyin said very clearly that the original painting of the beam fang was just to protect the wood and prevent corrosion and beetles. Later, architectural decorative paintings were added, and a series of conventional architectural decorative paintings were formed. There was also a clear division of labor between paint and color painting, and by the Ming and Qing dynasties, the official practice had been divided into "oil works" and "paintings".

With the prominence of cultural differences, the geographical distribution of carved beams in the south and painted buildings in the north slowly began to change. In general, the southern architecture focuses on carved beams, and the entire carved drama and patterns on the wooden beams mainly include literati paintings, brocade patterns, auspicious patterns, etc.; In the north, the focus is on painting, and the surface is painted with color as the main means of decoration.

As one of the ways to display Chinese architecture, the carved beams and paintings play a pivotal role in the history of architecture. Tahoe Xiamen Yard has passed down this craft well and further developed it in its architecture.

Xiamen courtyard beam fang color painting by a large number of professional craftsmen after many years of creation, in accordance with the traditional architectural concept, take the classic system of wooden beams, the use of more advanced techniques, the wood carving and color painting to be integrated, the formation of luxury restrained, extremely detailed copper beams: copper beams, hand-carved on them, the subject matter are from the traditional Chinese auspicious patterns auspicious clouds, flowers and leaves, landscapes, etc.

All in all, the carved beams and painted buildings are the cultural heritage of our country that has been inherited for thousands of years, representing the aesthetic taste of our nation, and containing profound cultural and historical knowledge. The dignified and intricate Liang Fang color paintings show the beauty of traditional Chinese architecture.

It requires a lot of money and good materials, and the colors are bright, forming the most unique architectural style of "brick and stone".

In the preface to the "Atlas of Chinese Architectural Paintings", it is said: "Originally, for practicality, in order to meet the actual needs of anti-corrosion and beetle on the wooden structure, it was generally decorated on the wooden structure with mineral raw materials such as Dan or Zhu, as well as black lacquer tung oil; Later, it gradually became unified with the requirements of fine arts, became complex and rich, and became a unique method of Chinese architectural art."