What are the five colors of ink? Which five colors does ink refer to?

The five colors of ink refer to thick, light, dry, wet, and black, and there are also "white", collectively known as "six colors". In fact, it refers to the rich changes in the use of ink color, and refers to the use of water to adjust the multi-level shade of ink color, dry and wet, which is a term of Chinese painting technique.

1. "Dry": There is little moisture in the ink, and it is often used for rubbing mountains and stones, which can produce vigorous and ethereal interest.

2. "Wet": Add more water to the ink, mix it with water, and use it evenly, mostly for rendering, or point leaves and moss in the rain scene, so that the picture has a sense of wetness.

3. "Light": The ink color is light but not dark, whether it is dry or wet, it should be light and spiritual, and it is mostly used to paint distant objects or bright sides of objects.

4. "Thick": It is thick black, which is mostly used to draw near objects or the dark side of objects.

5. "Black": darker than thick ink, used to dip the pen in extremely black ink is burnt ink, often used to highlight the thickest black part of the picture, or hook or scorch.

According to the different proportions of ink and water, it can be divided into five colors, namely burnt, thick, heavy, light and clear. Different shades of ink have their own merits, and their dry and wet states can also be changed to reflect the effects of the object, such as distance, concave and convex, light and dark, yin and yang, dryness and smoothness.

1. Burnt ink. Pour the ink in the bottle directly into the dish, and the brush is not dipped in water, but directly dipped in ink, and the result is burnt ink. The scorched ink is rich and rich, deep and dark. The scorched ink is difficult to control, and if you don't draw well, it will be pitch black, so try not to use it at the beginning stage.

2. Thick ink. Change the saucer, add a small amount of water to the freshly poured ink, and mix it to get a thick ink. The thick ink is heavy and spiritual, and it is more moist than the burnt ink. Use thick ink to be "thin".

3. Heavy ink. Continue to add water to the dish, and after dilution, you will get heavy ink. The more water, the lighter the ink.

4. Light ink. Pour out half of the ink in the saucer, continue to add water and mix thoroughly, and you will get light ink. The light ink is fresh and transparent, and is suitable for blending.

5. Clear ink. To adjust the clear ink, you need to change to a clean small dish, dip a light ink into the dish in the light ink plate, and then add more water.

In Chinese painting, the brush and ink depend on each other, the pen is born with ink, and the ink is manifested by the brush. The combination of the speed of the brush, the lifting and pressing, the turning, the smooth and the negative, and the change of the virtual and the real will form different brush stroke effects when combined with the dry, wet, thick and light ink.

In ink painting, the ink color is divided into five types of chromaticity, that is, burnt, intense, heavy, light, and clear. First of all, it depends on the nature of the ink used. Ink or ink essence made of American "gas smoke" (made in Shanghai, with the word Tian, with the word for longevity.

It is only difficult to admit that it is thick and thick, and it is difficult to be light, let alone clear and divine. The ink of the Guangxu period of Tongzhi is only scorched, heavy and light, which is neither dark nor light.

Generally speaking, the colors of ink are as follows:

1) Scorched ink - that is, the ink is evaporated in the inkstone pond for half a day, and then used to paint the extremely heavy and prominent parts of the painting. It is a particularly dark part of the whole painting, black and shiny.

2) Thick ink – that is, the blackness of the ink color is second only to the burnt ink. The burnt ink may be shiny, and the thick ink is black and not shiny due to the addition of water.

4) Light ink - water plus more pinned spikes, into gray called light ink.

5) Clear ink, which is only a few pale gray shadows on the ink color, which expresses a vague image like morning fog and sunset.

The five colors of ink refer to the five colors commonly used in ancient Chinese calligraphy and painting, namely: black, white, red, yellow, and green. These five colors are also known as the "Five Elements Color", which correspond to the five elements, black belongs to the water Zen group, white belongs to gold, red belongs to fire, color belongs to earth, and green belongs to wood.

In traditional Chinese culture, the five elements have a close relationship with the five colors, and are widely used in various forms of art and hail.

Summary. Cyan (also known as pale color): represents wood, representing vitality and new life.

Vermilion (also known as red): represents fire and symbolizes enthusiasm and vitality. Yellow (also known as loess):

It represents earth, which means stability and calmness. White: represents gold, symbolizing purity and nobility.

Black: represents water, which means mystery and depth.

Cyan (also known as pale color): represents wood, representing vitality and new life. Vermilion (also known as red):

It represents fire, and withering symbolizes enthusiasm and vitality. Yellow (also known as loess color): represents soil, indicating stability and calmness.

White: represents gold, symbolizing purity and nobility to defeat Zheng. Black:

It represents water, which means mystery and depth.

These five colors are widely used in traditional Chinese art, not only in painting and calligraphy, but also in other art forms such as tangerine ceramics, paper-cutting, embroidery, etc. These colors are also closely related to the theory and philosophical concepts of the Five Elements in the Chinese literary collapse.