Nowadays, there are fewer and fewer good TV series, is there still a good screenwriter in China?

At present, the TV series we see, the plot is the same, the theme of the harem fighting for favor and bloody palace fighting, the routine of the domineering president falling in love with me, and all kinds of plots of selling mutton with a dog's head, some time ago there was a TV series "Mother's Road" that aroused the anger of the majority of women, which really made us unable to complain.

China's film and television industry has rarely been able to produce a commendable work, chasing fame and fortune, impetuous, such an atmosphere has become a trend, and there should be only a handful of screenwriters who can calm down and write good scripts and polish good works. Therefore, we will shout "conscience production" after "Langya Bang" comes out, and we will send it to the box office and word of mouth after the movie "I Am Not the God of Medicine" is released.

As the screenwriter of the two TV series "Yongzheng Dynasty" and "No War in Peking", Liu Heping may be the bubbling stream that sticks to his bottom line in this huge mudslide, and can be said to be a rare excellent screenwriter in the Chinese film and television industry. Some people commented that in the circle of Chinese TV drama creation, Liu Heping took one path, and others took another path.

Perhaps there are very few people who can always adhere to their own creative ideas like him. In the TV series "Ming Dynasty 1566", "No War in Peking" and other works, he is not only a screenwriter, but also insists on becoming the chief producer. For him, handing over his work to someone else is like handing over his daughter to someone else, and he may marry into a wealthy family, or he may be sold into a brothel in a green house.

It is precisely because of his persistence that the TV series "No War in Peking" has gone through the process of being invested in seven times and being divested seven times, however, he never compromises, in his words, "today's audience has been disappointed." ”

The well-known director Ang Lee, after six years of silence, his first film "Pushing Hands" received high praise as soon as it was released; The second film, "The Wedding Banquet", won the Berlin Film Golden Bear Award. While we lamented his talent, we didn't know that the scripts of these two movies were carefully polished by him in those six years, and they won the first and second prizes for Taiwan's excellent screenplays that year.

It is actually a kind of luck for actors to be able to encounter good scripts and for the audience to be able to see good works. And all of this depends on the hard work of screenwriters and writers, the so-called "make a big wish, get a big wish", and finally have a better result. And fame and fortune are actually incidental.

There are only a handful of good screenwriters in China, and some people who are called gold medal screenwriters can't actually stand up to scrutiny. The level of screenwriters' works is generally not high, and they have formed a solidified mode, with narrow themes and poor logic. Generally, such works will invite traffic stars to participate.

The so-called gold medal screenwriter will invite actors with better acting skills to play, but the script is also full of loopholes. That's the status quo.

Of course, there will be good screenwriters, but now TV dramas are more commercial, and good screenwriters will change beyond recognition.

Dajiang Dahe, a screenwriter who likes the noon sun.

Do you know whether you are down-to-earth, unlike previous TV series, I feel that I have benefited a lot from the young and old.

With the development of society and the progress of science and technology, the production cost of modern TV dramas is getting higher and higher, but some people think that new dramas are not as good as old dramas. Why is that?

First of all, from the perspective of content, the new drama may ignore the depth and connotation of the plot while pursuing commercial interests. Modern TV dramas often create star casts, exaggerated plots and sensational lines, which make people ignore the portrayal of the plot and the shaping of characters. In contrast, old dramas usually focus on the exploration of the spiritual level, and the depiction of human nature is more in-depth and real, which is more likely to resonate with the audience.

Second, technology may make modern TV dramas more dazzling in terms of effects, but they lack serious script writing. With the advancement of technology, the use of special effects is becoming more and more common in modern TV dramas, but they are not necessarily a substitute for a gripping story of Joke Lee. Some new dramas put too much energy into special effects and gimmicks, and neglected the in-depth exploration of the plot and characters, so they lack the ability to resonate emotionally with the audience.

In addition, the impact of business interests is also an important reason. Modern TV dramas invest a huge amount of money in production and need to return on equally huge benefits. Therefore, in the choice of plot and subject matter, the pursuit of art is often sacrificed in order to cater to the market demand.

These commercial factors may lead to a shallow script and flat characters that fail to bring deep thought and emotional resonance to the audience.

In general, although the production cost of modern TV dramas is getting higher and higher, the audience's love for old dramas may stem from their pursuit of plot depth and character portrayal. Whether it is content, technology or commercial factors, only on the basis of focusing on artistic pursuit, connotation and technology go hand in hand, can we create truly engaging TV drama works.

Now the production cost of TV dramas is getting higher and higher, but the reasons why I feel that I am not as good as old dramas can be analyzed from the following aspects:

1.Changes in creative concepts: With the development of society and the changes in audience needs, the TV drama industry is also facing a new battle of picking.

Many TV drama production companies pursue commercial interests, paying more attention to hot topics, star casts, and high production quality, while ignoring the depth and artistry of scripts and storylines. As a result, many new dramas invest a lot of resources in production costs, but the story content lacks novelty and innovation, resulting in the audience losing interest and recognition with them.

2.Declining quality of scripts: With the intensification of competition in the TV drama industry, many scripts have problems with haste and lack of depth in the creation process.

Some scripts lack logic and the characters are not three-dimensional enough, resulting in boring plot development, low plot compactness, and the audience's inability to resonate and emotionally connect. Therefore, no matter how high the production cost is, if the quality of the script is not up to par, it will also affect the viewing experience.

3.Lack of actors' performances: Although current TV dramas can invite big-name star actors, it does not mean that the actors' performance level is necessarily excellent. Some celebrities rely too much on their acting skills and are not excellent, resulting in a single character image.

First, the performance is blunt and other issues. At the same time, some young actors may not have enough training and accumulation experience, and cannot fully show the charm and depth of their roles, which also affects the audience's viewing experience.

4.Entertainment trend to meet market demand: While pursuing commercial interests, TV dramas are also paying more and more attention to entertainment elements, pursuing fast-paced, suspenseful and bloody scenes, while ignoring the depth and connotation of the storyline.

In order to cater to the audience's tastes, today's TV dramas often emphasize too much on elements such as love, violence, and compact plots, resulting in unnatural plot development and greatly reduced artistry, and the audience loses aesthetic fatigue about it.

To sum up, the increase in the production cost of TV dramas does not mean that the quality of dramas has improved, but that there are problems in script creation, actors' acting skills, and creative concepts. The TV drama industry needs to pay more attention to the quality of scripts, actors' performance levels and audience needs, so as to improve the appreciation and artistry of TV dramas, so that the audience can have more recognition and liking for TV dramas. Huaizhou Jing.

Although the production cost of TV dramas is getting higher and higher, the reasons why the audience generally feels that they are not as good as old dramas may be in the following aspects:

1.Declining script quality: As the TV drama market expands, so does the pressure and competition, and producers may focus more on commercial interests and ignore the quality of scripts.

The plot development and character development of some modern TV dramas may be relatively superficial and lack depth, which is difficult to guess to resonate with the audience.

2.Pursuit of commercial success: Modern TV dramas tend to focus more on commercial success, and producers pay more attention to ratings and advertising revenue, which may over-cater to market demand and popular themes, resulting in a lack of creativity and innovation, and a lack of uniqueness and depth.

3.Over-reliance on visual effects: With the advancement of technology, modern TV dramas focus on the presentation of visual effects, investing more money and energy in special effects, scenes, and costumes. However, over-reliance on visuals can lead to a weakened plot and a lack of good story and charisma.

4.Changing Audience Tastes: Modern viewers' tastes and needs are constantly changing, preferring different types and styles of dramas.

5.The impact of nostalgia: The audience's love for old dramas is also related to nostalgia, and people often have a special emotional connection to the memories of the past.

It should be pointed out that the above views do not apply to all modern TV dramas, and there are still many excellent modern works that are loved by the audience. The audience's preference for TV dramas is subjective and influenced by personal tastes, fingerprints, cultural backgrounds, and the background of the times. Each era has its own unique TV drama charm, and viewers can choose to enjoy it according to their preferences.

In fact, I think the dilemma of domestic film and television dramas is not only a problem of actors and screenwriters, but if you have to choose one of these two options, it must be a lack of good screenwriters.

There is never a shortage of good actors in China, I have seen many young people who are serious about filming, and even some of the criticized traffic stars are working hard to transform into powerful people.

Therefore, I believe that as long as there is a good script, I am not afraid of not finding good actors.

To be honest, I rarely watch film and television dramas now, because I can't help but complain, and sometimes I will sigh that the screenwriter's money is easy to earn, and I even wonder if they have a unified template, how can the plot be so "assembly line"!

The plot is old-fashioned, some of the current film and television dramas have been divorced from reality, the characters are empty, and there is no charm at all, for example, I watched a TV series a while ago, in order to create the image of the male protagonist and the domineering president, the screenwriter arranged such a strange plot, the female assistant asked the president to eat handmade biscuits, and the president said expressionlessly: "One." There is no food nutrition ingredient list, II

There is no production license IIINo IS security certification, take it! ”

I said in my heart that you grew up eating highly processed foods? Is your Chinese New Year's Eve dinner a table of biscuits, potato chips, and luncheon meat? Forgive me for being a poor ghost, I really can't imagine what the president eats high-end deeply processed food.

I've watched five or six episodes of this drama, and I really can't stand it, because there are too many slots, the plot is still boring, and the screenwriter has been sprinkling industrial saccharin, although watching romantic dramas is to sweeten yourself, but industrial saccharin is too greasy and can't stand it.

In fact, I think the plot is old-fashioned and bloody, as long as the screenwriter has deep skills, he can completely turn decay into magic, such as childhood memories of "The Prince Becomes a Frog", which is still excellent now.

Really, I have watched so many dramas, although there is no shortage of high-quality dramas, but most of them are bad dramas, in the final analysis, the screenwriter level is not good, so there are so many strange plots.

China has never lacked good and professional actors, but it lacks good directors and screenwriters.

When a good actor meets a bad script and a bad screenwriter, this is most likely a bad drama, and an ordinary actor meets a good director, a good screenwriter, and an actor with average acting skills may also turn the tide because of the director's efforts, save his acting skills, and rebuild his reputation. Therefore, a good director and a good screenwriter play a decisive role in one step.

Is there a shortage of good actors or good directors and screenwriters in China?

Write. See all 213.

Write. Sweet sweet.

Focus on stardom, fashion, study, work.

China has never lacked good and professional actors, but it lacks good directors and screenwriters. After all, BMW is easy to find, but Bole is even more difficult to find.

When a good actor meets a bad script and a bad screenwriter, this is most likely a bad drama, and an ordinary actor meets a good director, a good screenwriter, and an actor with average acting skills may also turn the tide because of the director's efforts, save his acting skills, and rebuild his reputation. Therefore, a good director and a good screenwriter play a decisive role in one step.

A good director, paired with a good actor, will collide with good works, throughout the history of Chinese film, the works that can be called classics so far are all directed by famous directors. Some directors have almost all of the works that are remarkable, and the actors know more about how to express and portray the characters under the professional guidance of the director.

At present, whether it is from the film and television drama industry or the variety entertainment industry. The threshold for actors is low, the director has no ideas, and the screenwriter packs and copies. It can be said that the sense of agility has been hardened by interests in China's film and television industry, so mining good directors and innovative screenwriters is the direction that China's film and television industry needs to continue to work towards.

Domestic film and television dramas lack good screenwriters. Now the inexplicable good and bad are all actors, to be honest, most of the time the screenwriter and director don't pull their hips, and the actors won't be too ugly at all. Now the screenwriter dares to write blindly, the director dares to direct, and the actor dares to act blindlyIn the end, the fans gave a wash,After this vicious circle, there are fewer and fewer good dramas.

For example, a drama that has been very popular recently, the plot in it is reversed, Gu Qianfan said that if he falls off the cliff, he will fall off the cliff, there is a feeling of reversal for the sake of reversal, how old the routines are used repeatedly, except for falling off the cliff, I don't bother to think about other plots, the drama is really easy to film, and the drama is really easy to writeIn the final analysis, what is lacking is literary literacy, some routines change the order, change the scene, change the role, and be able to write a drama and make a drama.