What are the 28 basic strokes of Xingshu?

There are a total of 28 kinds of strokes, including horizontal drawing, vertical painting, skimming painting, brushing painting, lifting painting, vertical hook, arc hook, Ge hook, horizontal hook, vertical bend, vertical bend hook, vertical lift, horizontal hook, horizontal fold hook, horizontal apostrophe, apostrophe, horizontal bend hook, vertical fold and so on.

The basic strokes of Chinese characters in Xingshu: dot, horizontal, vertical, apostrophe, pinch, hook, fold.

The basic strokes of Chinese characters: dot, horizontal, vertical, apostrophe, pinch, hook, fold. When two or more strokes are put together, a calligraphy is formed. , which is written as follows:

1. Horizontal: Similar to the writing of regular script, it is mainly based on mastering the slender waist and length horizontal.

Two: Vertical: back to the front of the pen, blunt pen out of the front, vertical pen on the left need to close the pen.

Three: Apostrophe: Lu Feng Shao Feng short skimming, back to the front section of the apostrophe, blunt pen lifting.

Four: Tile**.

Five: point: mostly for the pen, four points are connected.

Six: hook: decoupling is as quiet as the end, and the finish is sharp.

Seven: fold: square fold such as curve, round fold such as.

First, the size of the length: first of all, we must grasp the size and length of the glyph as a whole. The ancients said that writing is most afraid of "words like operators", and in terms of knotting words, it is to avoid uniform size of words, and if so, there is no artistry at all.

A good grasp of this law can enable us to have an overall grasp of the glyphs of individual characters when copying and creating. This is the most common mistake that beginners make in the process of copying.

Second, the side of the square: for the needs of the chapter, the book can be flat, can also be sideways, but the center of gravity of the word should remain stable. Different styles of books have different degrees of side, such as Mi Fu.

The line of books is more than Zhao Ziang.

The degree of the side of the book is larger.

3. Reducing the connection: Another big difference between the line of writing and the regular script is that the line of the pen under the pen echoes, so that the direction of the dot painting is strengthened, and the performance of the qi is stronger.

Fourth, retract and expand: in order to contrast the needs of changes, a certain stroke (part) of the word shrinks left and right, and highlights another stroke (part); In order to contrast the needs of change, one stroke (part) of the character stretches up and down, and the other stroke (part) shrinks.

Fifth, sparse and even: regular script is generally symmetrical cloth white, the white cloth of the line book is much richer than the cloth white of the regular script, the line of the book cloth white is even, there is sparse and dense. This is also easy for beginners to make mistakes, and it is easy to write evenly and uninterestingly.

Sixth, open and close to the back: the so-called open, refers to the stroke of the word has a tendency to expand outward; The so-called merging refers to the tendency of the strokes of the character to converge inward. The opening and closing is also known as "to the back", the back is open, and the one is closed. Mi Xingshu Palace.

Tight, the knot is mainly open (back), Yan Xingshu.

The outside is tight and the inside is loose, and the knots are mainly combined (directional). In fact, each calligrapher's knot has an opening and closing, or opening and closing, and closing and opening, so that it is vivid.

Seventh, there is a concession: between the words there is a concession, the strokes can be interspersed and echoed, united as one. It should be pointed out that the degree of writing is greater than that of regular script.

The regular script still maintains the non-overlapping strokes in the characters, and the line of the script sometimes connects several strokes, and there are overlapping parts. Such as "crane", "Qu", "end", "autumn", "brigade" and so on.

8. Uneven and staggered: the law of regular script knots, in order to taboo the flatness of the words, the various parts of the words are moderately staggered, but the center of gravity is stable, vivid and interesting, and the calligrapher's creative performance is also experienced. For example, "report", "body", "rainbow" and "hong" are dislocated up and down, and "half a year old" is dislocated from left to right.

The 28 basic strokes are:horizontal, vertical, apostrophe, pruning, point, lifting, vertical hook, arc hook, Ge hook, horizontal hook, vertical bend, vertical hook, vertical lift, horizontal hook, horizontal fold, horizontal analysis hook, horizontal apostrophe, apostrophe, apostrophe, horizontal bend hook, vertical fold, vertical fold hook, horizontal fold lift, horizontal fold and apostrophe, horizontal bend hook, horizontal bend hook, horizontal bend, vertical bend.

The rules of stroke writing of Chinese characters:Generally, the horizontal, vertical, and apostrophes are heavier, and the dots and flirts are lighter; At the turning point, the pen should be slightly paused, slightly heavier and slightly slower; Lifting and hooking, at first to pause the pen, slightly heavier, and then gradually turn to light, the pen out of the tip; Skimming, flirting with females out of the tip.

All strokes are written in a single stroke and cannot be redrawn. Some of the shapes of these strokes change slightly when forming Chinese characters, so when writing, you should pay attention to observe and write the shape of the strokes accurately.

The twenty-eight basic strokes of Xingshu are horizontal, vertical, apostrophe, pinch, point, lift, vertical hook, arc hook, Ge hook, horizontal hook, vertical bend, vertical hook, vertical lift, horizontal hook, horizontal fold, horizontal analysis hook, horizontal apostrophe, apostrophe, apostrophe, horizontal bend hook, vertical fold, vertical fold hook, horizontal fold lift, horizontal fold and apostrophe, horizontal bend hook, horizontal bend hook, horizontal bend, vertical bend. All strokes are written in a single stroke and cannot be redrawn. Some of the shapes of these strokes will change slightly when forming Chinese characters, so when writing, you should pay attention to more observation and write the shape of the strokes accurately.

The mantra of the twenty-eighth book

Cursive writing does not see horizontal drawings. Cursive writing with horizontal lines should be as short as possible and should have a sense of longitude. It can be replaced by dotted and thin lines.

Avoid the phenomenon of flat dragging, dry pen, and thickness produced by the fast, and leave everywhere and everywhere. The ink is indifferent. Use thick ink to start the pen again, and the strokes of the thick ink characters should be explained clearly.

Avoid the eyes in a single word to prevent too many eyes.

Long line writing is very important, be cautious when closing the pen, and generally use a dry pen at the end of the gesture. The heavy words of the pen and ink can not be equal in area, and the weight of the word should have a transition, and avoid the group. The thin pen should be tough, and the thick pen should be strong. There must be a thick pen with iron and silver ditches, and there must be a thin pen with flowing water.

The ink is slightly slower when drying, slightly faster when wet, slightly slower when coarse, and slightly faster when fine. The line of grass has the meaning of italics, and the regular script should be written. When handing over the pen, the beginning and end are clear, and each stroke must be explained clearly.

Pay attention to the press, Qi but not even, straight but not straight, straight in the song, straight in the curve. Hold the pen and press down. The center is used in conjunction with the flanks, the eight-sided striker, the center is used in the details, and the flank is used in the thick part.

Regular script is one of the most common fonts in Chinese calligraphy, and it is also one of the most representative calligraphy arts. As an important part of traditional Chinese culture, regular script has formed a unique and beautiful style after thousands of years of development and evolution.

There are 28 basic strokes in regular script, including horizontal, vertical, apostrophe, pinch, dot, etc. Among them, horizontal, vertical, apostrophe, and pinching are the four most basic strokes, which constitute the basic structure of regular script. The other strokes are developed on the basis of these four basic strokes.

In order to learn regular script well, Mengbi needs to systematically learn the form, structure and usage of the eight basic strokes of Twenty Minliang. Only by mastering these basic strokes can you use them freely in your creation and write beautiful regular script works.

In the process of learning, you need to pay attention to practice and repeated drills to continuously improve your calligraphy level. At the same time, it is necessary to pay attention to the order and rhythm of the strokes to maintain overall coordination and balance. Only in this way can you write a regular script font that is pleasing to the eye.

In short, regular script is an important font in Chinese calligraphy, which has profound cultural heritage and artistic value. By learning and practicing the twenty-eight basic strokes, we can better understand and appreciate this beautiful art form, and we can also continuously improve our level in our own calligraphy creation to create better works.