It is the calligraphy that expresses cursive writing in a state of madness

You're talking about the Crazy Element. Zhang Xu and Huaisu.

When it comes to cursive writing in calligraphy, people will think of "upside down", what is the upside down work? Those who learn cursive must not be able to avoid these two people "upside down and drunk", and they are worthy of Zhang Xu and Huaisu monks in the Tang Dynasty.

As the holy hands in cursive writing, the two of them are sprinkled with cursive writing in one hand, and people who see it have a feeling of not knowing that the sky is in the water after being drunk, and the bed is full of dreams and pressing the galaxy. **Through their calligraphy, you can experience the trickle of belonging to the literati and ink writers, and you can also appreciate the heroic feeling of cursive writing. Today, let's take Zhang Xu as an example and briefly introduce Zhang Xu's past.

In the Tang Dynasty, Zhang Xu was a benchmark in cursive writing, which was unique. His cursive writing is not only famous in the rivers and lakes, but also in the government and the opposition. Because his calligraphy will change with the mood of the individual, the unrestrained calligraphy on the paper pen dragon snake, unpredictable, changeable, even in the Chinese thousands of years of time is also the only one, so it is called "Zhang Dian."

As for Zhang Dian's works, there are still "Bitter Bamboo Shoot Stickers", "Fish Eating Post", and "Self-narrative Post".

and so on are representative works of later generations to copy and learn. And the writing story about Zhang Xu is even more sung. It was rumored that when Zhang Xu was an official in Suzhou, an old man handed over a complaint a few days after taking office, and Zhang Xu casually read it on the paper, indicating that he was sentenced.

But a few days later, the old man sent another complaint, which caused Zhang Xu to be furious and blamed the old man for repeatedly disrupting the court. The old man said: "It is precisely because I saw that Zhang Xu's annotation on the paper is very wonderful and precious, so I made this decision", Zhang Xu's words also became popular because of this story, and many people have the same feeling as the old man after reading it.

Calligraphy is not just a traditional culture.

It also includes a person's personal feelings, and many people are able to express their emotions and thoughts through calligraphy, so calligraphy has also become an intangible culture and is famous all over the world.

His works include "Former Post", "Ruguan Post", "Yesterday's Post", "Chengsu Post", "Qingjian and Other Post", "Spring Grass Post", "Autumn Deep Post", "Wanling Post", "Wine Virtue Song" and so on.

A number of expert members of the China Federation of Literary and Art Circles praised Wang Guangcan as the contemporary Wang Xizhi's today's book saint, should it? ! Please compare it with the upheaval, so that there will be identification, in order to keep pace with the times!

Which of the following options is a feature of cursive writing? （）

a.Illegible.

b.Continuous.

c.Full of emotion.

d.Quiet as a virgin.

Correct answer to the loss of the old case sales rise: ABC

Xingshu is a kind of calligraphy between regular and grass. The writing is more indulgent and flowing, close to cursive, called Xingcao; The writing is relatively upright and stable, close to the regular script called the line Kai.

In the process of writing, the pen turns, in the various forms of dot painting are more obvious, this kind of pen movement often in the dot painting, between the words left a mutual implication, thin as the traces of the gossamer, this is the silk connection.

Xingshu is a quick writing of regular script, and it is the flow of regular script. After the analysis of several groups of regular script and line script, it was found that when regular script and line script were written, the writing method of dot painting, and the guidelines to be followed by the pen, such as center, paving, reverse in and out, lifting the main and Tibetan front, etc., were all consistent, but the writing of the line was more stretched and flowing.

Big and small. That is, the size of each word is different, there is a word of the pen and the pen are connected, and the connection between the words is not only real, but also intentional, broken and connected, and the cover is hidden and echoed.

Combination of retraction and release. Generally, the short lines are closed, and the long lines are released; The return front is to receive, and the flank is to release; Most of them are left and right, up and down, but they can also be converted to each other, and it is not excluded that they can be left and right, and they are put down and closed.

Dense and decent. Generally, it is dense at the top and sparse at the bottom, dense on the left and sparse on the right, and dense inside and sparse outside. The middle palace is tightly knotted, and the smaller the white space in the frame, the better, and the smaller the white space for the circled strokes, the better. The layout is tightly spaced, the line spacing is widened, and the stumbling is vigorous and colorful.

Shades blend. Writing should be relaxed, lively, and fast, and master the combination of good and slow, movement and stillness. The ink color arrangement on the fiber hall should be the first word for the thick, the last word for the dry. The lines are long, thin, short and thick, light and heavy, and the shades are alternate. It's about the same as cursive, but not as cursive.

Appreciation of calligraphy and calligraphy.

The gesture echo of regular script is intangible, while the gesture echo of cursive script is tangible. In order to write smartly and lively, not sluggish, pen gesture is one of the most critical factors.

A word has vitality only when its blood circulates and its form has vitality. Pretend to be the law of Kai, you must have movable words in the line, the words must be vivid, do not let there be dead points and dead paintings, and do the best of calligraphy.

The so-called "gestures", that is, the reasonable direction and trajectory of dot painting, is a method to study the internal or external connection between dot painting and dot painting.

In fact, the "Yong" word in the Kaifa is itself a kind of potential, the side of the point, the reverse entry of the pen, the horizontal painting when the pen is closed, the shrinkage of the vertical painting, the graceful curvature of the apostrophe, the squatting of the front of the momentum rises, the direction of pecking and the strategy, the wave of three rents and folds, the shape of these basic dot paintings has contained a kind of potential, beginners from the shape of the penmanship to seek penmanship, in the penmanship to get the gesture, in turn the regular writing to the momentum, then can be randomly generated, because of the flow of the potential, then the natural can be new and different, change infinitely. From the view of the is, seeking the potential by the form is just the method, and the form is the goal.