What are the characteristics of the moonscape of the night tour of Chengtian Temple

When the author "undressed and wanted to sleep", "the moonlight entered the house", so he "set off happily", the moonlight is rare, and it can't help but make people happy. But no one admired the moon with him, so he had to go to find someone who was also degradedZhang Huaimin, how much demeaning sadness and emotion of life are there! The two of them strolled through the atrium, and it was leisurely.

Comparing yourself to an "idler" means all the meanings. The clear and transparent wonderful moonlight is vividly depicted, revealing the author's special state of mind that although he feels subtle in the depreciation, he is also comfortable with the situation and self-discharge. It expresses the author's love for moonlight, and expresses the author's self-understanding, self-deprecation, and self-deprecation.

Original. Night tour of Ji Chengtian Temple.

Author] Su Shi.

Dynasty] Song. On the night of October 12 in the sixth year of Yuanfeng, he undressed and fell asleep, entered the house by moonlight, and set off happily. Those who have nothing to do with pleasure go to Chengtian Temple to find Zhang Huaimin. Huaimin also did not sleep, walking with each other in the atrium. Under the court, such as stagnant water and empty light, algae and wattles in the water are crossed, and bamboo and cypress are covered.

Shadow also. Why is there no moon in the night? Where is there no bamboo cypress? But there are few idlers like the ears of the two of us.

Annotations to the translation. On the night of the 12th day of the 10th month of the 6th year of Yuanfeng (or the night of the 12th day of October 1083 A.D.), when I took off my clothes and was about to go to bed, I happened to see the moonlight shining on the door, and I got up happily and went out for a walk. Thinking of the people who didn't play with me, (I) went to Chengtian Temple to look for Zhang Huaimin.

Huaimin didn't sleep, so we walked in the courtyard together. The moonlight shines on the garden as clear and transparent as a pile of clear water, and the algae and aquatic plants in the water are criss-crossed, and it turns out to be bamboo.

and the shadow of the cypress. What night is there no moonlight? Where is there no bamboo or cypress? It's just that there's a lack of idle people like the two of us.

The second layer depicts the clarification of the moonlight in the court.

The author cherishes ink like gold, and only uses eighteen words to create a quiet and charming night scene with clear moonlight, mottled bamboo shadows, and seclusion and charm. The reader can use his imagination: the moonlight is clear, sprinkled in the courtyard, the clear white expanse is like a pool of stagnant water, and even better, there are aquatic plants floating and wandering in the "water", so it is like a fairyland.

The subtlety of the author lies in the fact that the shadows of bamboo, cypress and moonlight are used to contrast, compare, and metaphorize each other, and the metaphor is exquisite, novel, and appropriately renders the beauty and solemnity of the scenery. It also reflects the cool and clear characteristics of moonlight. It sets off the author's relaxed mood (the night in the court).

The third layer: regret that there is no one to admire the moon.

Then he turned to the discussion. The author sighed, there is no moon in the night, where there is no bamboo and cypress, but there is this leisure and elegance to enjoy this scenery, in addition to him and Zhang Huaimin, I am afraid there are not much, the finishing touch of the whole article is the word "idler", Su Shi lives in Huangzhou, "no signing books and official affairs", he is only a nominal official, and the Confucian ideal of "helping the people through the world" is far away, that is, the surface meaning of the so-called "idler", it euphemistically reflects the frustration of Su Shi's eunuchs; From another point of view, the moonlight is beautiful, the bamboo shadow is beautiful, and people can't recognize it, only these two people can have the honor to appreciate it, isn't it a happy thing! Su Shi's thinking spans the three schools of Confucianism, Buddhism and Taoism, which makes his attitude towards the world extremely inclusive, and it can be said that he is not shocked by humiliation and can advance and retreat freely.

Of course, his chapters in adversity reflect his personality charm even more! (lyrical under the moon).

When the author saw "the moonlight entering the house", he "set off happily", and his joy was beyond words. "Those who are happy to think of nothing" is a mental activity, which contains the regret of having few bosom friends, and the emotions are swaying because of it. From remembering and visiting Zhang Huaimin to "walking in the atrium" together and getting to know each other in the beautiful scenery of the moonlit night, the author's depression can be relieved and his spirit can be relieved.

The text uses metaphors to vividly describe the wonderful moonlight, revealing the author's special state of mind that although he feels subtle in the depreciation, he adapts to his own situation and dispels himself. It expresses the author's self-understanding and self-deprecation, and also reflects his deep friendship with Zhang Huaimin and his infinite emotion for the few bosom friends.

Enter the scene in love, send affection to the scene.

Hacha information book bar, a lot.

How is the webcam image black when my laptop is open?

The main sentence of "Ji Chengtian Temple Night Tour" is "But few idlers are like the ears of the two of us", which expresses the central idea of this short essay, lamenting the natural life of leisure and self-indulgence, and also implying the poet's contempt for officialdom life and officialdom villains.

Ji Chengtian Temple Night Tour is an ancient text written by Su Shi, a writer in the Song Dynasty.

Original text: On the night of October 12 in the sixth year of Yuanfeng, I undressed and fell asleep, entered the house in the moonlight, and set off happily. Those who have nothing to do with pleasure go to Chengtian Temple to find Zhang Huaimin.

Huaimin also did not sleep, walking with each other in the atrium. Under the court, such as the stagnant water is empty, the algae and wattles in the water are crossed, and the shadow of the bamboo and cypress is also covered. Why is there no moon in the night?

Where is there no bamboo cypress? But there are few idlers like the ears of the two of us.

Translation: On the night of October 12, the sixth year of Yuanfeng, I was taking off my clothes and preparing to go to bed, when I happened to see the moonlight shining through the portal, and I couldn't help but have the interest of night travel, so I got up happily and went out. Thinking that there was no one to play with, he went to Chengtian Temple to find Zhang Huaimin.

Zhang Huaimin hadn't slept yet, so we walked in the courtyard together.

The moonlight in the courtyard is as clear as standing water. Algae and aquatic plants crisscrossed the garden, and it turned out to be the shadow of bamboo and pine and cypress branches in the courtyard. What night is there no moon?

Where is there no bamboo or cypress trees? It's just that there's a lack of idle people like the two of us.

1. Metaphor: The court is like stagnant water and empty space, the algae in the water are crisscrossed, and the shadow of bamboo and cypress is also covered.

2. Combination of frontal and side descriptions: Why is there no moon in the night? Where is there no bamboo cypress? But there are few idlers like my two ears.

3. The first layer of narrative: The first sentence points out the time of the event, "October 12, the sixth year of Yuanfeng", this layer of narrative is simple, indifferent and natural and smooth.

4. The second layer of scene writing: The mastery of the author lies in the fact that the shadows of bamboo, cypress and moonlight are set against each other, compared and metaphorical, and the metaphorical techniques are exquisite and novel, which just like the atmosphere renders the beauty and solemnity of the scenery chain.

5. The third layer turned to the discussion: "Why is there no moon in the night?" Where is there no bamboo cypress? But there are few idlers like my two ears. It contains the author's sense of desolation and the philosophy of Brother Kai's life that he has realized from this, and he gets some comfort in the pain.

From Zhang Huaiming's point of view, I will write an example of a night tour of Chengtian Temple:

The night was as cold as water, I took off my brocade clothes, my eyes lingered out the window, the clear light of the moon lit up a room drowsy, and my interest was aroused. Yes, today is October 12th of the sixth year of Yuanfeng, a full four years, the days of living in Huangzhou are lonely and lonely, and today's bright moon also comes to comfort me, not tonight I drink with the moon to pass the long night.

Needless to say, we walked side by side in the courtyard, the lights dim and silent. Occasionally, there was a faint message from a dog in a distant farmhouse, and everything was so quiet and serene. The moonlight fell like a dream, and I noticed that we were both in crescent-white robes, and he seemed to be aware of my gaze, and looked at each other for a long time, stroking his palms and smiling.

Let's go, let's go, in such an ethereal winter and moonlit night, only me and Huaimin, the two "idlers", can be so leisurely, let's drink the fragrant tea in the cup!

Su Shi's "Night Tour of Chengtian Temple" contains the sad meaning of having nowhere to speak. Su Dongpo was demoted to Huangzhou for the fourth year because of the "Wutai Poetry Case". With the help of his friends, he slowly got out of the predicament when he came to Huangzhou, gradually became normal, and his miserable mood began to calm down.

The article goes straight to the point, directly remembers the incident, cleanly, without dragging the mud and water, and describes the eagerness of a person who sees the beautiful scenery but wants to find someone to share this situation and this scene is extremely realistic.

Summary. Under the court, such as the stagnant water is empty, the algae and wattles in the water are crossed, and the shadow of the bamboo and cypress is also covered. "There is not a sentence that writes the month, but another sentence writes the month. The use of metaphor is vivid, vivid, novel and expressive, and the clarity of the moonlight is written. The beautiful view of the courtyard under the moonlight is also written.

Remember how the author described the moonlight during the night tour of Chengtian Temple.

Under the court, such as the stagnant water is empty, the algae and wattles in the water are crossed, and the shadow of the bamboo and cypress is also covered. "There is not a sentence that writes the month, but another sentence writes the month. The use of metaphor is vivid, vivid, novel and expressive, and the clarity of the moonlight is written. The beautiful view of the courtyard under the moonlight is also written.

Hope mine can help you!

Okay, thank you, teacher.